8 Year old question about comic book movies and shows.


Agonus

 

Posted

Interesting article over at Time tangentially related to this topic.


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Posted

It's been mentioned already, but definately pick up some of the DC animated features as they are all very well done. My personal favorites are the Wonder Woman film, both the Green Lantern films (especially Emerald Knights, which is in an anthology format) and the various short films which are all collected on the Superman vs Shazam release. The Green Arrow short is a particular favorite among them of mine.

I think if you give those a watch, you'll see something of a leveling of the playing field. Then it becomes "How come DC can't do this good in live action?" and that's a question all of us have been asking for years.


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Posted

Quote:
Originally Posted by Johnny_Butane View Post
Traditionally, Marvel has taken tighter control on their properties when they're adapted to TV or film. They make deals with various studios to make movies and shows about their characters and subsequently they have someone(s) in there from Marvel watching their interests, making sure things are true to their characters, etc.

Is it perfect? No, because all we've seen, they've had some stinkers.

DC Comics is owned by Warner Bros. So who makes *all* the DC Comics films? Warner Bros studios.
...
And since Warner Film and DC are both owned by the same company, DC has less pull since they're just another division. They can't shut it down if they're not getting the best guys at the studio to work on the film. They don't have contracts in place that say "If DC Comics doesn't like how the script and movie is going, they can pull the plug" like Marvel does.


So, in summary, why do Marvel movies tend to do better:

-Marvel has more control than DC does.
-Marvel movies are made by various different studios(for good or ill). DC movies are all made by Warner Bros.
-Competition among studios for Marvel rights makes everyone try even harder.


Of course, all this changed when Disney bought Marvel. Now they're in a similar position as DC is with Warner. How this affects the future of Marvel movies remains to be seen. So far the Avengers is the only film made completely after the takeover and I haven't heard a thing if it was scraping by at the box office or not.
This, pretty much.

Keep in mind all DC movies have been made by Warner Bros.

Marvel, on the other hand, sold the mythos rights for the X-Men to Fox and Spider-Man to Sony. I think it's safe to say both of those companies will be going out of their way to keep said rights for the forseeable future. Punisher, Daredevil/Elektra, and the Fantastic Four were all initially sold off too, but will probably end up back under Marvel sooner than later. (Ghost Rider's probably screwed as long as Nicolas Cage can generate money.) Now Iron Man, Captain America, Thor, and the Avengers were all made with a massive amount of input from Marvel Comics, and I also think one could safely say having a good bit of input from Marvel's comic book creators on their movies has paid off.

DC and WB had a different approach. The suits are largely in control there, which has lead to misfires like trying to (imho) shoehorn Ryan Reynolds doing a Tony Stark impersonation as Hal Jordan in Green Lantern. But they have given control over to creative forces at seemingly random intervals, and it worked with Nolan and Batman, but it didn't with Singer's lovesick squee to the Donner's 70's Superman in Superman Returns.

But, (imho, again) beyond Batman and Superman, DC doesn't have much faith in their characters being able to support movies. Flash and Wonder Woman have had movies in developmental hell for ages. Whedon was even set to do Wonder Woman for a while, but it was pulled from him. And due to Hollywood logic, the Green Lantern movie's poor performance will be blamed on the character, not how poorly the movie was made. In theory though, this should be changing, as there was a management shakeup in DC a while back, and the marketing woman who put Harry Potter everywhere is basically in charge of using the DC library to find the next Harry Potter. So rumor is Warner's are trying to get movies out on other characters. But who knows whether or not any of them ever see the light of day before a Justice League live action movie is rushed out. (And on another side note, last I knew, anyway. But if WB doesn't get their act together and get the next Superman movie out by a particular deadline that I don't know offhand, they're in danger of starting to lose a lot, if not all, of the rights to Superman.)

But, as others have said, while Warners have been dominant in the animation wing, Marvel is finally making steps to catch up.

And I know it'll never happen, but I've been joking for a while now that it would be neat if Marvel had DC do their animation, and DC had Marvel make their live action movies.


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Posted

One of the major problems, which as been said a lot, about the other Superman movies is that while they can play Superman, they can't play Clark Kent.

Now the Clark side is probably, IMO, the most key part of the character because that will be the part the audience will relate to. Christopher Reeves Clark, while a bit foppish and clumsy, was a likeable guy. Not only was he acted really well (seriously, I've said it enough times but the scene where he's talking to himself, trying to picture himself telling Louis the he is Superman is downright amazing), he was written really well, he was the everyman.

Now Superman Returns played down the Clark Kent side to almost nothing, along with a pretty ropey plot stolen from the Superman TV series of the 90s and the lack of a decent villain it meant that Superman just wasn't as relateable.


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Posted

Quote:
Originally Posted by Dr_MechanoEU View Post
(seriously, I've said it enough times but the scene where he's talking to himself, trying to picture himself telling Louis the he is Superman is downright amazing), he was written really well, he was the everyman.
Emphasis added.

Unless they've made a rather radical change in DC continuity that I'm not aware of, you most likely mean Lois.


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Posted

Quote:
Originally Posted by Agonus View Post
DC and WB had a different approach. The suits are largely in control there, which has lead to misfires like trying to (imho) shoehorn Ryan Reynolds doing a Tony Stark impersonation as Hal Jordan in Green Lantern.
It's worse than that. As I hear it, the Green Lantern movie started out as a Flash film.
A Flash film they wanted to do as a comedy...starring Jack Black as the Flash.

Then it mutated into a Green Lantern movie with Black still attached, and they were going to play it like The Mask, with Black using the ring for all kinds of wacky cartoon props and gags.

They switched characters because at the time they intended to precede it with a Justice League movie spinning out of the Superman Returns and Batman Begins movies.They wanted the Flash for it because his effects were cheaper to do than having a Lantern on the roster. They even cast and photographed several lesser known actors in costume as a promotional thing to drum up interest.

Of course, when Superman Returns didn't do so well, the suits balked at dumping money into a super hero team movie (because how could THAT ever make money?) and Justice League was scrapped. So, they scrambled some re-writes to turn Green Lantern into a 'serious' movie to compete against Iron Man and cast Reynolds, as you said, to be their Tony Stark of the DC universe.

And this is why Hollywood is an evil machine that eats souls and turns them into concentrated fail.


.


 

Posted

One problem I see is there is a segment of the population that will associate some of the A-string characters to particular actors. That really isn't the fault of the studio but it makes it harder to relaunch a newer series.

Superman - Christopher Reeve
Wonder Woman - Lynda Carter

The image of those actors doing that role is so ingrain in the minds of the public that it's tough to see somebody else doing that role. Heck the last Superman film is a partial remake/homage of the 1978 one.

Batman was able to avoid this by "Bonding" there way through actors as well as drive the series over a cliff as many actors lined up to play the classic villains of the series. There was nowhere to go but up and it still took 8 years to try again.

And its not just DC. I believe the part of the reason the first two Hulk movies didn't do so well is because the image of an angry Bill Bixby and a green Lou Ferrigno in a crazy wig has been burned into the mind of the general public. No wonder people didn't accept an 8 to 10 foot sized Hulk after all those TV episodes with Lou.

The live action TV Flash or Spider-Man didn't last on TV long enough to make a lasting impact. The TV Superman from Lois and Clark wasn't terribly memorable and Smallville's Clark and his pretty 20 something friends was too different to affect the public's image of Superman.

Nobody in Hollywood has the guts to try and make a WW that intentionally steps away from the public's memory of that character. After all isn't the next Superman film rehashing Superman II's villains. Brave brave Sir Hollywood.


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Posted

Quote:
Originally Posted by Fista View Post
Every story you've ever read is about human motivations.
To hear some tell it, DC stories are about the motivations of gods and aliens, which is why people (and apparently some writers) can't relate to (or create good stories with) their characters. And that's the context I'm going along with.

Quote:
Is it the more "soapy" elements you have a problem with? Is this right? Can you elaborate?
I don't really see the point, but if I had to go into it briefly, there is a particular category of manga/anime that I consider a guilty pleasure called "slice of life". Many of the sorts of mundane day to day life problems that go on in those stories are exactly the sort of thing that I tend to dislike elsewhere.


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Farewell is like the end
But in my heart's the memory
And there you'll always be
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Posted

Quote:
Originally Posted by Dr_MechanoEU View Post
One of the major problems, which as been said a lot, about the other Superman movies is that while they can play Superman, they can't play Clark Kent.

Now the Clark side is probably, IMO, the most key part of the character because that will be the part the audience will relate to. Christopher Reeves Clark, while a bit foppish and clumsy, was a likeable guy. Not only was he acted really well (seriously, I've said it enough times but the scene where he's talking to himself, trying to picture himself telling Louis the he is Superman is downright amazing), he was written really well, he was the everyman.

Now Superman Returns played down the Clark Kent side to almost nothing, along with a pretty ropey plot stolen from the Superman TV series of the 90s and the lack of a decent villain it meant that Superman just wasn't as relateable.
this makes me think of an interesting( and I think true) comparison between Batman and Superman
Superman is Clark Kent, that is he puts on the custome he is still Clark Kent. That is, despite being a superpowered Kryptonian he is the most human heroes out there

Now I look at Batman, Bruce Wayne is really the mask. At the heart of it, its the Batman identity who Batman/Bruce Wayne really is, not Bruce Wayne.


 

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Quote:
Originally Posted by Tenzhi View Post
To hear some tell it, DC stories are about the motivations of gods and aliens, which is why people (and apparently some writers) can't relate to (or create good stories with) their characters. And that's the context I'm going along with.



I don't really see the point, but if I had to go into it briefly, there is a particular category of manga/anime that I consider a guilty pleasure called "slice of life". Many of the sorts of mundane day to day life problems that go on in those stories are exactly the sort of thing that I tend to dislike elsewhere.
First part. They would be wrong. If it's written by humans it's about humans and can be about nothing else but our motivations. The stories can be poorly written, badly thought out but they are still, ALL OF THEM, about our motivations. There's only 3 stories folks. Man v Man, Man v Nature, and Man v God. I know. It's a little Lit 101 but there it is.

2nd you apparently are an enigma wrapped in a mystery but apparently you like chocolate and peanut butter but don't want any chocolate in your peanut butter.


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Posted

Quote:
Originally Posted by Fista View Post
There's only 3 stories folks. Man v Man, Man v Nature, and Man v God. I know. It's a little Lit 101 but there it is.
That's how it was simply laid out way back when I was in grade school, but by the time I was in high school it was about the conflict of the protagonist - which wasn't always a human, and wasn't always in conflict with other humans, "the wild" (which is what we had called "Nature"), or God. In other words, the "Man" in the breakdown isn't literally a human with human motivations.


Goodbye may seem forever
Farewell is like the end
But in my heart's the memory
And there you'll always be
-- The Fox and the Hound

 

Posted

Quote:
Originally Posted by Tenzhi View Post
That's how it was simply laid out way back when I was in grade school, but by the time I was in high school it was about the conflict of the protagonist - which wasn't always a human, and wasn't always in conflict with other humans, "the wild" (which is what we had called "Nature"), or God. In other words, the "Man" in the breakdown isn't literally a human with human motivations.
I think the point remains, that no matter how much we imagine motivations and conflict from a non-human point of view it is only realistically possible for us to view such from our human perspective so it is always 'human vs.' no matter how much we imagine it differently.

I am not sure I entirely subscribe to such a limited theory, but it has a point worth considering.


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R.I.P.
Chyll - Bydand - Violynce - Enyrgos - Rylle - Nephryte - Solyd - Fettyr - Hyposhock - Styrling - Beryllos - Rosyc
Horryd - Myriam - Dysquiet - Ghyr
Vanysh - Eldrytch
Inflyct - Mysron - Orphyn - Dysmay - Reapyr - - Wyldeman - Hydeous

 

Posted

I lost patience with most of the two big names over a decade ago and then found I thoroughly enjoyed Gold Digger and various other independent American mangaka as well as the Japanese manga.

Marvel and DC got too recycled for my taste...the story never progressed, it was just the same stuff over and over again. When it looked like there was progression it would be reset to 0 by some dues ex machina often involving such words as scarlet, crisis and/or witch.

Just got fed up with it.


Also, the vs list is merely the conflict and is missing Man vs Self. Conflict is only one aspect to the story, not the story in and of itself. There are generally accepted to be 36-distinct plots.

That said, I do subscribe to the opinion that all stories are the same story just from different points of view and focusing on different portions.


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Posted

Hello everyone again, I have been reading your posts to my son and he has a better understanding thanks to you all. I did do a disservice as one of poster said by not showing him the 70's Spiderman and 80's Captain America also 90's Nick Fury etc so were going to watch those this weekend to show even Marvel can have some flops.

Thanks again for the help everyone.


 

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Originally Posted by LegionAlpha View Post
Hello everyone again, I have been reading your posts to my son and he has a better understanding thanks to you all. I did do a disservice as one of poster said by not showing him the 70's Spiderman and 80's Captain America also 90's Nick Fury etc so were going to watch those this weekend to show even Marvel can have some flops.

Thanks again for the help everyone.
Now there's no need to torture the poor boy. Show him 70's Spidey and then ask is it awful or outdated or both? Also try to find the live 70's Spiderman from Japan.....where he had a car and a giant robot.....

80's Cap.....yeah I'd call that a flop. The 90's Cap movie is best filed under W.W.N.S.O.T, along with Dolph Punisher and Hasselhoff as Nick Fury (WE WILL NOT SPEAK OF THIS)


 

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Quote:
Originally Posted by Nericus View Post
Now there's no need to torture the poor boy. Show him 70's Spidey and then ask is it awful or outdated or both? Also try to find the live 70's Spiderman from Japan.....where he had a car and a giant robot.....

80's Cap.....yeah I'd call that a flop. The 90's Cap movie is best filed under W.W.N.S.O.T, along with Dolph Punisher and Hasselhoff as Nick Fury (WE WILL NOT SPEAK OF THIS)
Despite my dissatisfaciton with the comics, I have to say that I've enjoyed most of the movies and TV shows

Superman 1 and 2, Superman Returns, Michael Keaton Batman, the Chris Nolan Batmans, Spiderman 1 & 2, Captain America, Iron Man 1 & 2, the second Hulk movie and the 90s Spiderman and X-Men cartoons were great. The DC cartoons that started with Batman and have continued were awesome.

Thor, Daredevil, Green Lantern, the TV Flash, Hulk and Spiderman, Thomas Jane's Punisher, X-Men: Evolution and Batman Returns were all enjoyable.

The X-Men and later sequels of the Tim Burton Batman suffered very much from "too many characters" syndrome where the writers and studios tried to stuff as many merchandizing ideas as possible into the story, making it bloated with characters so that they did not have enough time to develop any of the characters properly and thus also straining the plot development.

Spiderman 3 suffered from the same problem with the addition that they decided to force Venom on a director who had originally taken the job with the provision that he wanted nothing to do with Venom. Of course he's going to "ruin" the character, I would too given I think its a hopelessly cliched character best related to Lobo as a joke of characters that were popular at the time.

But yeah, other than the tv shows and movies, DC and Marvel for my mind has been twenty years of bad fanfiction. Which is nothing against fanfiction. I use fanfiction to develop setting, plot and character ideas because it's easier to do writing when there are some ready made pieces for you to use. But bad fanfiction is....well....take the worst novel you can think of and have a thousand monkeys transcribe it.


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Posted

Personally, I think technology just recently caught up enough to make super hero flicks not as campy/cheesy as they had been. This was best demonstrated in Spider-Man 1, X-Men 1 and Batman Begins. The first 2 leaned heavy on f/x to make the heroes believable, Batman leaned heavily on artistic direction and excellent props, something that the Burton/Shuemacher era Bat films failed to do, instead focusing on gadgets and camp. Before those 3 films nearly all superhero flicks were just bad. Blade kicked off things and those 3 capitalized, demonstrating that superhero movies were not only viable, but profitable.

There were exceptions, as always, the Superman 1 & 2 were great off the top of my head.

I think what really separates Marvel and DC flicks is what's been said over and over here, creative direction. Warner Bros just doesn't take the DC stable as seriously, when they do we get gems like the Dark Knight. Even Superman Returns was an attempt at duplicating what made the first 2 Supes flicks great, just didn't find it's footing and had some ludicrous plots points.
Marvel films compete with each other, not just other properties. The Marvel flicks that had too much Hollywood input suffered the most, namely Spider-Man 3 and X-Men 3/Wolverine. I'd say that more Marvel movies have failed than hit, but when they hit the slam it out of the park, also we've seen what triple the Marvel properties developed for film?

I think what really set the Avengers crop of flicks apart was the fact they were made with a shared universe in mind, and Marvel had direct control over plotting Brian Michael Bendis said in a recent interview with Newsarama that the films have a sort of council of comic writers, the films director and other creative personnel, all devoted to keeping the feel true, and to keep the universe linked and growing with each movie.

What I'm really eager to see, is what impact Avengers will have on DC's future plans. The market is there, as Marvel Films just demonstrated, but how can DC really up their game to compete in the film sector? I'd say creating a DC Films branch that focuses solely on taking their character seriously would be a great first step. If they could put the kind of energy into films as they do the animated universe, DC could make some truly great movies with some truly great characters.


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Posted

Quote:
Originally Posted by Fista View Post
There's only 3 stories folks. Man v Man, Man v Nature, and Man v God. I know. It's a little Lit 101 but there it is.
There's only one kind of story: the kind with a beginning and an end.

Surprisingly, there are a lot of variations possible given that limitation.


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Posted

Quote:
Originally Posted by Chyll View Post
I think the point remains, that no matter how much we imagine motivations and conflict from a non-human point of view it is only realistically possible for us to view such from our human perspective so it is always 'human vs.' no matter how much we imagine it differently.

I am not sure I entirely subscribe to such a limited theory, but it has a point worth considering.
If the only non-human perspective around is one conceived by humans imagining a perspective different from their own, it becomes moot whether that perspective is really non-human or just a human pretending at non-humanity.


Goodbye may seem forever
Farewell is like the end
But in my heart's the memory
And there you'll always be
-- The Fox and the Hound

 

Posted

Quote:
Originally Posted by Lycanus View Post
I lost patience with most of the two big names over a decade ago and then found I thoroughly enjoyed Gold Digger and various other independent American mangaka as well as the Japanese manga.
Quote:
Originally Posted by Arcanaville View Post
There's only one kind of story: the kind with a beginning and an end.
That's the thing about manga, it ends. Sure there has been long standing series but most just run for a couple of years and then it's over. They rarely get rebooted, reimaged, retconed, etc. Sure one magical girl series is replaced by another. Same with boys fighting series and sports/game series. Where else other than Japan are you going to find popular series about the game Go or about baking breads and pastry along with baseball, classical music, clothing design, etc.?

Here we get a half a dozen series about Spider-Man or alternate universes with the same set of heroes but slightly different.


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Posted

Quote:
Originally Posted by ThrowDown_Kid View Post
What I'm really eager to see, is what impact Avengers will have on DC's future plans. The market is there, as Marvel Films just demonstrated, but how can DC really up their game to compete in the film sector? I'd say creating a DC Films branch that focuses solely on taking their character seriously would be a great first step. If they could put the kind of energy into films as they do the animated universe, DC could make some truly great movies with some truly great characters.
They don't need a DC Films branch. They just need to hire writers that understand the material, love the material, and take it seriously.

Oh, and never let people like Keven Smith talked about in that clip near an established IP.


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Posted

Quote:
Originally Posted by BrandX View Post
They don't need a DC Films branch. They just need to hire writers that understand the material, love the material, and take it seriously.
There's a much simpler solution.

Tell the suits to back off. "Input" from people who have never read a comic, watched a cartoon, nor had a discussion on whether or not Superman is capable of mating with a human woman (for example) is neither needed nor wanted.



 

Posted

Quote:
Originally Posted by Tenzhi View Post
If the only non-human perspective around is one conceived by humans imagining a perspective different from their own, it becomes moot whether that perspective is really non-human or just a human pretending at non-humanity.
When it is well crafted, I agree completely.


City of Heroes was my first MMO, & my favorite computer game.

R.I.P.
Chyll - Bydand - Violynce - Enyrgos - Rylle - Nephryte - Solyd - Fettyr - Hyposhock - Styrling - Beryllos - Rosyc
Horryd - Myriam - Dysquiet - Ghyr
Vanysh - Eldrytch
Inflyct - Mysron - Orphyn - Dysmay - Reapyr - - Wyldeman - Hydeous