8 Year old question about comic book movies and shows.
I get that this is your point. And I completely disagree. DC and Marvel characters relate to the actual human condition exactly the same... pretty much not at all. That makes them equally as easy, or difficult, to write for. I just don't buy that somehow Marvel characters, as a whole, are more accessible than DC characters in this day-and-age.
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How do you write a story about a character who could do almost literally anything he wanted, has a hyper-strict moral code that never changes (unless you toss some weird-colored kryptonite at him) and almost literally can't be hurt by anything except the kryptonite? How do you realistically threaten or challenge that guy from a story point of view? As I said before it's not completely impossible.
But by the same token a huge number of cool story ideas that will NEVER apply to that "super" man could easily apply to a "non-powered" expert-assassin archer guy. You could explore countless plotlines anywhere from moral failings to fear of gunshot wounds. The archer guy is so much more "relateable" to the human audience that a writer writing for him has a practically bottomless well of plots ideas to draw upon compared to the super-god guy who can't be hurt and will never have a moral failing. The archer-guy can grow and evolve because what can or can't affect him is not fixed in stone. Characters which by definition can't change are fundamentally harder to write stories for, period.
If it makes it any easier for you I'd be willing to say that every comic book character has a characterization that is either more or less applicable to the real human audience reading their stories regardless if they are DC or Marvel characters. As I implied before Batman already breaks the "rules" as far as that goes. I'm simply making the generalization that you tend to find more characters on one side of that spectrum at DC and characters of the other side of the spectrum at Marvel.
A generalization is just what it implies. One more time I'm not saying that all Marvel stories are good or that all DC stories are bad. I'm simply saying it's ABSOLOUTELY understandable why WB can't get its act together when you are willing to understand the challenges they face compared to the Marvel movie folks. Put bluntly most of DC's characters do not lend themselves to good movies as history and current events plainly prove. Case in point do you really think it's an "accident" there hasn't been a Wonder Woman movie/TV show in 35 years?
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In fiction, I tend to relate more to what I'd like to be than what I am.
Goodbye may seem forever
Farewell is like the end
But in my heart's the memory
And there you'll always be
-- The Fox and the Hound
In fiction, I tend to relate more to what I'd like to be than what I am.
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I'm simply stating that from a WRITER'S point of view writing for characters who are as rigidly defined as Superman or Wonder Woman (with all the omnipotence baggage that come along with them) is generically harder to deal with than characters who have many more "relateable" human flaws.
As another case in point you'll probably recall there was a recent attempt (last year) to create a new Wonder Woman TV show. Basically the reason it failed to launch was that the writers of that show didn't really have a good clue what her character was about and couldn't really come up with a "workable" version that the fans didn't instantly rip apart. If the Wonder Woman character was EASY to write for we probably would have had half-a-dozen TV shows based on her by now.
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Yes, but when was the last time you -wrote- a comic book? Obviously fans of characters like Superman like him for all sort or reasons. I'm not arguing against any of that.
I'm simply stating that from a WRITER'S point of view writing for characters who are as rigidly defined as Superman or Wonder Woman (with all the omnipotence baggage that come along with them) is generically harder to deal with than characters who have many more "relateable" human flaws. As another case in point you'll probably recall there was a recent attempt (last year) to create a new Wonder Woman TV show. Basically the reason it failed to launch was that the writers of that show didn't really have a good clue what her character was about and couldn't really come up with a "workable" version that the fans didn't instantly rip apart. If the Wonder Woman character was EASY to write for we probably would have had half-a-dozen TV shows based on her by now. |
Goodbye may seem forever
Farewell is like the end
But in my heart's the memory
And there you'll always be
-- The Fox and the Hound
So, you're saying that DC characters are harder to write for for writers who have trouble grasping characters that lack boring human motivations some or all of the time?
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But even if they were how does that excuse any -other- writer who's tried to sell a Wonder Woman pilot to a network for the last 35 years? Apparently Wonder Woman has not been an easy character for ANYONE to write a show/movie for in all these years, not just those particular goofs from last year's attempt.
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Case in point do you really think it's an "accident" there hasn't been a Wonder Woman movie/TV show in 35 years?
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Electra, right? And it did about as well as the (very human for DC) Catwoman movie, right?
Wonder Woman's problem isn't that she's a DC character. It's that she's a female character, and they still don't know how to write them to carry TV/Movies yet.
"I do so love taking a nice, well thought out character and putting them through hell. It's like tossing a Faberge Egg onto the stage during a Gallagher concert." - me
@Palador / @Rabid Unicorn
To be fair, when's the last time Marvel put out a movie/TV show with a female superhero lead?
Electra, right? And it did about as well as the (very human for DC) Catwoman movie, right? Wonder Woman's problem isn't that she's a DC character. It's that she's a female character, and they still don't know how to write them to carry TV/Movies yet. |
I simply think it's no real surprise that Marvel has managed to get a good string of movies going yet DC hasn't. DC is working with a stable of characters that simply makes it HARDER (not impossible, mind you, just harder) to do. *shrugs*
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I have no idea if the specific writers who tried to get that Wonder Woman TV show going last year were uniquely crappy writers or not.
But even if they were how does that excuse any -other- writer who's tried to sell a Wonder Woman pilot to a network for the last 35 years? Apparently Wonder Woman has not been an easy character for ANYONE to write a show/movie for in all these years, not just those particular goofs from last year's attempt. |
I'd imagine that the problem with selling a Wonder Woman pilot to a network lies more in the expectations and lack of comprehension of network executives than anything else (or studio/studio executives as the case may be).
Goodbye may seem forever
Farewell is like the end
But in my heart's the memory
And there you'll always be
-- The Fox and the Hound
I'd imagine that the problem with selling a Wonder Woman pilot to a network lies more in the expectations and lack of comprehension of network executives than anything else (or studio/studio executives as the case may be).
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Again if was easy to write for Wonder Woman it would have happened already. We've already had shows like Xena and Buffy the Vampire Slayer which both lasted for many years so we know that shows with lead characters "similar" to Wonder Woman can happen. Wonder Woman herself must be the problem.
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Again if was easy to write for Wonder Woman it would have happened already. We've already had shows like Xena and Buffy the Vampire Slayer which both lasted for many years so we know that shows with lead characters "similar" to Wonder Woman can happen. Wonder Woman herself must be the problem.
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Where's our live action Spider-man series? Or Daredevil? Is Incredible Hulk the most recent TV series Marvel has managed to produce from their major characters? Wasn't that Gen X TV movie rumored to be a pilot for a possible series?
Goodbye may seem forever
Farewell is like the end
But in my heart's the memory
And there you'll always be
-- The Fox and the Hound
As a TV series, I think superheroes in general are the problem. The only way it seems they get a pass is if the superheroing is extremely watered down or sidelined.
Where's our live action Spider-man series? Or Daredevil? Is Incredible Hulk the most recent TV series Marvel has managed to produce from their major characters? Wasn't that Gen X TV movie rumored to be a pilot for a possible series? |
Until someone manages a Wonder Woman, Aquaman, Flash, etc. movie as counter-examples I'm going to rest comfortably on my premise that (once again, in general) DC characters are harder to write for. If they were easier then someone, somewhere would have managed to get those movies made by now. *shrugs*
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So, you're saying that DC characters are harder to write for for writers who have trouble grasping characters that lack boring human motivations some or all of the time?
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Of course DC has newer characters, but they simply aint got the recognition - you might as well invent a completely new superhero and make a movie about them.
I really should do something about this signature.
That's a bit of a stretch. Plenty of female dominated programming and films out there.
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If they make someone new (Buffy, for example), they have much better luck. I don't understand why they have this problem, but they do.
"I do so love taking a nice, well thought out character and putting them through hell. It's like tossing a Faberge Egg onto the stage during a Gallagher concert." - me
@Palador / @Rabid Unicorn
Also, DC ruled animation for a very, very, very long time. Marvel's just catching up now.
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Also for pretty much my whole childhood there´s always been a Spider-Man cartoon show.
btw, THIS is also a Marvel ip.
@Redcap
ANARCHY = A Society that does not need government
114. Ahrouns do not appreciate my particular brand of humour, so I should stop bleaching bulls-eyes in their fur.
Something witty and profound
You mean the boring human motivations that have been explored by writers like that loser Shakespeare? Perhaps that hack Dickens? Maybe the commie pinko Steinbeck. What about that red neck Williams? How about that thug Hemingway? Yeah. Boring human motivations. No one could make good stories out of that.
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Goodbye may seem forever
Farewell is like the end
But in my heart's the memory
And there you'll always be
-- The Fox and the Hound
Something witty and profound
3 words;
Stan Lee Cameo's
(seriously though, it's most likely due to the higher level of control Marvel has over DC.
Which is reversed when it comes to the animated features, which also results in DC being better in this media.)
But yeah, Stan the Man.
Maestro Mavius - Infinity
Capt. Biohazrd - PCSAR
Talsor Tech - Talsorian Guard
Keep Calm & Chive On!
Trying to hand-wave away my premise that DC and Marvel treat these things differently doesn't really make my argument go away. Just because you don't wish to "see" the fundamental difference doesn't mean it's not there.
How do you write a story about a character who could do almost literally anything he wanted, has a hyper-strict moral code that never changes (unless you toss some weird-colored kryptonite at him) and almost literally can't be hurt by anything except the kryptonite? How do you realistically threaten or challenge that guy from a story point of view? As I said before it's not completely impossible. But by the same token a huge number of cool story ideas that will NEVER apply to that "super" man could easily apply to a "non-powered" expert-assassin archer guy. You could explore countless plotlines anywhere from moral failings to fear of gunshot wounds. The archer guy is so much more "relateable" to the human audience that a writer writing for him has a practically bottomless well of plots ideas to draw upon compared to the super-god guy who can't be hurt and will never have a moral failing. The archer-guy can grow and evolve because what can or can't affect him is not fixed in stone. Characters which by definition can't change are fundamentally harder to write stories for, period. If it makes it any easier for you I'd be willing to say that every comic book character has a characterization that is either more or less applicable to the real human audience reading their stories regardless if they are DC or Marvel characters. As I implied before Batman already breaks the "rules" as far as that goes. I'm simply making the generalization that you tend to find more characters on one side of that spectrum at DC and characters of the other side of the spectrum at Marvel. A generalization is just what it implies. One more time I'm not saying that all Marvel stories are good or that all DC stories are bad. I'm simply saying it's ABSOLOUTELY understandable why WB can't get its act together when you are willing to understand the challenges they face compared to the Marvel movie folks. Put bluntly most of DC's characters do not lend themselves to good movies as history and current events plainly prove. Case in point do you really think it's an "accident" there hasn't been a Wonder Woman movie/TV show in 35 years? |
It's also a fallacy that somehow audiences will only be interested in characters that are relatable. Being to relate to someone with superpowers (even super-archery!) is not a prerequesite for an audience enjoying the characters. There's a wish-fulfilment aspect of superheroes ("what would I do if I could..."), but in the end a good superhero movie has to be a good movie. Are the motivations of the characters understandable, is the plot interesting, and so on. The made a fairly interesting Blade movie, for pity's sake.
The reason Warner can't get their act together has a lot more to do with Warner Bros. than the long-published, widely-recognized, and in some cases beloved properties that they happen to own.
Global name: @k26dp
It seems to go in cycles, there was a long time where Marvel couldn't do Live Action very well, it really wasn't until the X-Men franchise that they managed to put out any decent stuff
You want an answer, here's one, regardless if its Live Action or Cartoon, TV or Movie, quality largely depends on the creative forces involved.
Joel Schumacher - whatever his merits as a director, its clear he wasn't familier with the source material, and had little love for it.hence Batman and Robin
Pitof - the French director behind Catwoman, needless to say being French and given how the film turned out, its obvious he had no idea who Catwoman was before he got the job, and seemed to have confused Catwoman with Vixen.
on the other hand you have
Bruce Timm who obviously has a deep love for the DC Universe, hence the DC Animated Universe( which honestly I like better than the New 52)
Greg Weisman you can see that same love as Timm, in Weisman's Young Justice series
Other factors,
-How much support the project has, go find the original Capt. America movie from the 70's or 80's, its painful to watch
or
-How much the higher ups interfer with the project
So "IF" I understand you no one could write about those things in comics and make a good story about it?
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The problem I often see with the handling of DC characters, is that writers overcompensate and become focused on these petty concerns and it either serves to make the stories dull, or provides such an overwhelming dull contrast to the superheroic bits that the fantastic becomes the absurd.
Goodbye may seem forever
Farewell is like the end
But in my heart's the memory
And there you'll always be
-- The Fox and the Hound
You're still shootin' wide. Boring, or 'mundane' if you prefer, human motivations are generally not my cup of tea (there is at least one area of exception, but for the purposes of this discussion such is moot), but good stories centred on them are certainly possible in any medium with good writing. I wasn't really saying anything about them one way or the other. What I was saying, essentially, is that good writers don't necessarily need those to be a focus, nor do they need to inject those motivations where they don't necessarily belong.
The problem I often see with the handling of DC characters, is that writers overcompensate and become focused on these petty concerns and it either serves to make the stories dull, or provides such an overwhelming dull contrast to the superheroic bits that the fantastic becomes the absurd. |
Something witty and profound
Global name: @k26dp