Man of Steel


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Posted

Quote:
Originally Posted by EvilGeko View Post
You inadvertently hit it right there. Superman doesn't have a 'small element of the unbelievable'. The whole story is just silly. Superman is unbelievably good, unbelievably powerful, hell in 2012 he even has a unbelievable job in the Daily Planet.

Superman has no grounding in real life IMO. There's not one part of that story that I think could happen. It doesn't stretch the suspension of disbelief, it breaks it. Both the comics and every movie that's been done. My kids will drag me to this next summer, but I don't have high hopes.
Hmmm...I can't help but ask those who view the Daily Planet as being unrealistic "Are you special needs?"

No really. DC Universe. Who's to say that DC Earths economy is anything like the real worlds?

Who's to say that people in the DC Universe don't just read more.

Hell, if I was going to view anything as unrealistic in the DC Universe, I'd point a finger at Green Arrow and say "For all that he says he is, why hasnt he paved the way and spread his wealth to everyone."


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Posted

Quote:
Originally Posted by EvilGeko View Post
You inadvertently hit it right there. Superman doesn't have a 'small element of the unbelievable'. The whole story is just silly. Superman is unbelievably good, unbelievably powerful, hell in 2012 he even has a unbelievable job in the Daily Planet.
A similar problem exists in the movie Its a Wonderful Life.


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Posted

Quote:
Originally Posted by Johnny_Butane View Post
So, is this an elseworlds where instead of Kansas, the rocket crash landed in Newfoundland?
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.
They call 'im Screecherman in these parts Yonny!



Immediately wanted to see, then saw Christopher Nolan and imagined Superman being filmed through extra foggy, darky dark lenses with everyone in a state of depression.

As for Superman and super heroes in general...won't go on a huge rant here, but here's the convo we had after seeing Green Lantern:

Me: So he has this ring that gives him a godmode right?
Friend: Yeah...
Me: So why doesn't he just win?
Friend: Win?
Me: Right, win. He can create ANYTHING. Why doesn't he just magic up 15 Playboy bunnies, his favourite pizza, the best car in the world and then go to Zurich and force the Gnomes to give him all the money?
Friend: Well, he's a hero...
Me: So he's stupid? Why wouldn't you do stupid broken things with your power, especially with no game or external limitations? Who is going to stop him outside of the Green Lantern Corps, who view him as a deity, or that Yellow Fear Guy who is countered by just having a plane throw green-tinted water all over the place?
Friend: You've played too many RPGs for your own good.


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Posted

My problem with Superman is that the entire character is fundamentally boring.

Who he is? There's nothing to explore there. Batman was old enough to remember his parents getting killed. That creates some character right away. Superman was an infant with no knowledge at all of his birthplace. You can't miss where you've never been.

While Superheroes win, with Superman there's simply no possibility that he could lose. In TDK, we got to see Bruce Wayne all bruised up and tired. In Spiderman 2, we see the personal, scholastic, and professional impact that being Spidey has on Peter.

With Superman you have the impossibly good looking, impossibly perfect height/weight, impossibly uber powerset, impossibly maintained secret identity, impossible everything else that just drains all interest from what is going on. There's just no downside to Superman. Batman can get an interesting story dealing with a grocery hold up or a mugging. Superman needs the world or the universe to be seriously threatened, or else it seems like there's no point for him to even get out of bed. Which also leaves me with no point in caring about anything he does.

The JLU Superman was a pretty good step. His power level was toned down to where it was conceivable for him to lose. Sure he would curbstomp anyone without powers, but that's hardly unusual in a superpower universe. But they didn't have to give everyone and their brother 20 lbs of kryptonite just to even the playing field.


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Posted

Quote:
Originally Posted by Matuse View Post
Who he is? There's nothing to explore there. Batman was old enough to remember his parents getting killed. That creates some character right away. Superman was an infant with no knowledge at all of his birthplace. You can't miss where you've never been.
I presume that you are not adopted or don't know anyone who is.
The drive to find out where he comes from, what his people were about and then ultimately, to live up to the ideals of both of his fathers are the driving forces the shape who Clark became.

That's as least as valid as the spoiled rich tortured man-child who dresses like a bat crying out for mommy and daddy.

Quote:
While Superheroes win, with Superman there's simply no possibility that he could lose.
The same applies to Batman. His plans never fail; he manages to plan for everything and even when he doesn't, unrealistic luck saves him. His aim never errs when it counts. He'll never catch a bullet to the face from one of the twenty mooks shooting at him. He always has the equipment he needs and it never breaks or runs out. He just happened to have to have an amazing aptitude for detective work, hand to hand fighting, piloting, science and every other skill he needs and found the time to develop them all to a world class calibre.


Quote:
With Superman you have the impossibly good looking, impossibly perfect height/weight, impossibly uber powerset, impossibly maintained secret identity, impossible everything else that just drains all interest from what is going on.
Again, ALL of that applies to Batman as well. And Flash. And Green Lantern.


Quote:
There's just no downside to Superman. Batman can get an interesting story dealing with a grocery hold up or a mugging.
A standard robbery is a curbstomp for Batman. He'd effortlessly disarm them and leave them hanging from the ceiling.



.


 

Posted

Two thoughts I'd like to share here:

First, on the "realism" of comics (or any kind of fiction, really): I think some people here, on both sides of the fight over whether this is an issue for Superman, are confusing "realism" and "believability." Something "realistic" closely resembles, well, reality. A very, very realistic superhero story would probably not be very interesting, since it would mostly involve the characters getting slain by accident, sitting through the criminal procedure process, or both. A "believable" story feels coherent within the context of its own setting. I would argue, for instance, that while The Incredibles is not a very realistic superhero story, in terms of either the characters' abilities (a guy who can create ice? "zero-point energy" gauntlets? Come on.) or their psychology (a marriage where the spouses have strongly differing needs and beliefs about how the children should be raised that hasn't ended in divorce yet? Come on.), but the characters and their deeds certainly make sense and act consistently, or surprise in a convincing way, within the context of their world. To take an even better-known example of "realism," I don't find the characters of Watchmen that realistic (one's a caricature of Ayn Rand-ism, another a caricature of supervillains, for instance), but Rohrschach and Ozymandias are still "believable" characters within the scope of their melodramatic world.

With these ideas in mind, I believe Superman can be presented believably, even if he isn't necessarily realistic. Note, too, for those alluding to his portrayal in the animated Justice League in which he flings Darkseid through buildings and such, that believability can change based on the medium. What looks good in a cartoon, even a serious one, might look silly, and thus out of tone and not believable, in a live-action film. This may explain why we've seen a lot of Superman lifting things and not much fighting in his movies up to now.

Second, about the appeal or lack of appeal of Superman: It saddens me to say this, as someone who loathes Batman and likes Superman, but I think society has moved past, or forgotten, a large part of what makes Superman interesting. Yes, he is an icon of heroism, but historically speaking, that hasn't been the core of his appeal for most of the character's existence.

Rather, his appeal can be summed up in the tagline from the first Superman movie: "You will believe a man can fly." Superman's more-than-mortal powers are actually part of his draw. Think back to the days when Superman was first introduced, when there weren't many, if any, characters with superhuman powers out there. In the early days of Superman, part of the appeal is seeing his amazing powers in action, even if they make things "too easy" for him. To give another example, it's popular in geekdom these days to criticize '50's Superman stories for making him "too powerful" by having him tow planets on a giant chain, travel through time, or what have you. But for the readers of those stories, the very fact that the character had such powers was part of the interest. The way he used those powers to overcome obstacles was also important, but it was not the sole matter of importance, as it is in more modern superhero stories.

Superman became a victim of his own success. Now, audiences in any medium are inured to heroes who can fly or have superstrength or use any number of previously "amazing" powers. We're left with Superman's amazing-ness being reduced to his moral power. That has a lot of appeal, but not as much as it did in these days when melodrama is viewed as infantile even (especially?) in superhero stories.

That's all for now.


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Posted

Quote:
Originally Posted by Neuronia View Post
They call 'im Screecherman in these parts Yonny!



Immediately wanted to see, then saw Christopher Nolan and imagined Superman being filmed through extra foggy, darky dark lenses with everyone in a state of depression.

As for Superman and super heroes in general...won't go on a huge rant here, but here's the convo we had after seeing Green Lantern:

Me: So he has this ring that gives him a godmode right?
Friend: Yeah...
Me: So why doesn't he just win?
Friend: Win?
Me: Right, win. He can create ANYTHING. Why doesn't he just magic up 15 Playboy bunnies, his favourite pizza, the best car in the world and then go to Zurich and force the Gnomes to give him all the money?
Friend: Well, he's a hero...
Me: So he's stupid? Why wouldn't you do stupid broken things with your power, especially with no game or external limitations? Who is going to stop him outside of the Green Lantern Corps, who view him as a deity, or that Yellow Fear Guy who is countered by just having a plane throw green-tinted water all over the place?
Friend: You've played too many RPGs for your own good.
Because if he was the type to do that, the ring wouldn't have choosen him.


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The BrandX Collection

 

Posted

I think my biggest problem with Superman has always been that I just don't believe there really is a Clark Kent. The Kill Bill speech on Superman and Clark has always been the best description of Superman I can think of. I just always see aspects in the stories that I feel prove the validity of that description. I think that's the more personal block I have against Supes. Though I did love some of his scenes throughout the animated series. The episode in Justice League when they're were trapped in their nightmares, and he was worried that his powers would never stop growing, and he'd lose control. I would love some aspects of that to be used more, Clark being afraid of his strength, not so completely in control of his powers. The World of Cardboard speech was pretty cool too.


 

Posted

Is the Man of Steel another Superman remake or a continuation of some sort? Hope they get it right this time.


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I laffed so hard. Never change, E_L!

 

Posted

Since it looks like they are including some origin story I'm guessing a reboot.


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Posted

Ok. Hopefully it's good this time unlike the last most recent fiasco.


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Quote:
Originally Posted by mauk2 View Post
Evil_Legacy became one of my favorite posters with two words.
"Kick Rocks."
I laffed so hard. Never change, E_L!

 

Posted

Quote:
Originally Posted by Olantern View Post
Two thoughts I'd like to share here:

First, on the "realism" of comics (or any kind of fiction, really): I think some people here, on both sides of the fight over whether this is an issue for Superman, are confusing "realism" and "believability." Something "realistic" closely resembles, well, reality. A very, very realistic superhero story would probably not be very interesting, since it would mostly involve the characters getting slain by accident, sitting through the criminal procedure process, or both. A "believable" story feels coherent within the context of its own setting. I would argue, for instance, that while The Incredibles is not a very realistic superhero story, in terms of either the characters' abilities (a guy who can create ice? "zero-point energy" gauntlets? Come on.) or their psychology (a marriage where the spouses have strongly differing needs and beliefs about how the children should be raised that hasn't ended in divorce yet? Come on.), but the characters and their deeds certainly make sense and act consistently, or surprise in a convincing way, within the context of their world. To take an even better-known example of "realism," I don't find the characters of Watchmen that realistic (one's a caricature of Ayn Rand-ism, another a caricature of supervillains, for instance), but Rohrschach and Ozymandias are still "believable" characters within the scope of their melodramatic world.

With these ideas in mind, I believe Superman can be presented believably, even if he isn't necessarily realistic. Note, too, for those alluding to his portrayal in the animated Justice League in which he flings Darkseid through buildings and such, that believability can change based on the medium. What looks good in a cartoon, even a serious one, might look silly, and thus out of tone and not believable, in a live-action film. This may explain why we've seen a lot of Superman lifting things and not much fighting in his movies up to now.

Second, about the appeal or lack of appeal of Superman: It saddens me to say this, as someone who loathes Batman and likes Superman, but I think society has moved past, or forgotten, a large part of what makes Superman interesting. Yes, he is an icon of heroism, but historically speaking, that hasn't been the core of his appeal for most of the character's existence.

Rather, his appeal can be summed up in the tagline from the first Superman movie: "You will believe a man can fly." Superman's more-than-mortal powers are actually part of his draw. Think back to the days when Superman was first introduced, when there weren't many, if any, characters with superhuman powers out there. In the early days of Superman, part of the appeal is seeing his amazing powers in action, even if they make things "too easy" for him. To give another example, it's popular in geekdom these days to criticize '50's Superman stories for making him "too powerful" by having him tow planets on a giant chain, travel through time, or what have you. But for the readers of those stories, the very fact that the character had such powers was part of the interest. The way he used those powers to overcome obstacles was also important, but it was not the sole matter of importance, as it is in more modern superhero stories.

Superman became a victim of his own success. Now, audiences in any medium are inured to heroes who can fly or have superstrength or use any number of previously "amazing" powers. We're left with Superman's amazing-ness being reduced to his moral power. That has a lot of appeal, but not as much as it did in these days when melodrama is viewed as infantile even (especially?) in superhero stories.

That's all for now.
As much as I hate to admit it, I do feel that Superman or at least my take on the character and heroics in general are out of date. Teenagers and young adults now want "heroes" that kill, or are violent. I saw this happen back in the Early 90's with the explosion in popularity of characters like Wolverine,Punisher,Ghost Rider, and Spawn.( I love those characters to..maybe not Spawn but the others? My favorite Marvel Anti-heroes.) Personally though Superman is and always will be my favorite because even with all his power he rarerly if ever would kill a sentiant being, and he never let his level of power get to his head. He always did the right thing, and always helped others when they needed it. From the woman having her purse snatched to bringing humanitarian aid to those that needed it.


 

Posted

Quote:
Originally Posted by Matthew_Orlock View Post
As much as I hate to admit it, I do feel that Superman or at least my take on the character and heroics in general are out of date. Teenagers and young adults now want "heroes" that kill, or are violent. I saw this happen back in the Early 90's with the explosion in popularity of characters like Wolverine,Punisher,Ghost Rider, and Spawn.( I love those characters to..maybe not Spawn but the others? My favorite Marvel Anti-heroes.) Personally though Superman is and always will be my favorite because even with all his power he rarerly if ever would kill a sentiant being, and he never let his level of power get to his head. He always did the right thing, and always helped others when they needed it. From the woman having her purse snatched to bringing humanitarian aid to those that needed it.
I see this argued, especially by comics writers (I'm looking at you, Dennis O'Neill), but I don't think the reason for Superman's decline is "people want violent heroes who kill a lot."

Consider: who is the most popular character in comics, and in comic book movies, today? According to a recent survey I saw, Batman. The Batman, of course, does not kill. This has gone over being a nonexistent part of the character in the very early years (a bad guy whom Batman crushed with a giant statue suffered "a fitting end to his kind") to being one feature among many in the later '40's and '50's (as comics strove to "clean up their acts" and be more kid-friendly, the opposite of what we see today), to the defining characteristic of the character in the past couple of decades, particularly in the writing of the aforementioned O'Neill. I would argue that in many media, Batman's stance against killing has been carried to much greater extremes than Superman's, giving us scenes where Batman does bizarre things like fling his enemies off buildings to threaten them (always miraculously breaking only their limbs rather than their necks), then growls and preaches at police officers or others who merely draw their guns when facing criminals.

The example of Batman flinging enemies off buildings brings up another point he shares with Superman that's been derided in this thread as a reason Superman is "unrealistic," something I refer to as "Moral Plot Armor." With a very, very few exceptions, neither character ever performs an act that the writer (or other creator) of the character's story wants the reader to see as immoral or wrong. The difference between the two is in the details, not in their import. We're not meant to think Batman is being cruel, or potentially accosting the wrong guy, when he hangs that criminal upside down or tosses him off a building; he's just doing what he has to get the information (or whatever). Similarly, we're not meant to think Superman is being cruel or potentially accosting the wrong guys when he wraps a steel girder around a gang to immobilize them. The real difference here is that the second is a much less blatant example of overturning the conventional morality by which most of us live our everyday lives; Superman's action, viewed in isolation, seems less objectionable than Batman's. And because Superman generally takes actions that are less objectionable to begin with, while bearing the same moral imprimatur from his writers as Batman, he's come to be viewed as a "boy scout" who's "unrealistically" morally perfect. That is, Superman and Batman (and lots of other characters) are both morally perfect within the context of their stories, but Superman is more morally conventional, making his "moralness" more obvious.

So, what are we left with as the differences between the characters to explain why one is so loved and accepted as both believable and realistic by fans, while the other is criticized on both grounds? First, there's no getting around the powers. Superman is more powerful than Batman. Indeed, he's more powerful than most protagonists in any story in any medium, period. It's a commonplace of adventure story writing that the villain or obstacles the hero faces must be stronger than the hero in order to make for a compelling story. If they aren't, the hero's struggle seems trivial. If the hero is extremely powerful, it's very difficult to come up with powerful challenges for him, while if the hero is essentially an ordinary human being, no matter how competent, it's easy to put him in seemingly perilous situations. (Note the term "seemingly perilous." As Johny Butane pointed out above, Batman is just as certain to win every confrontation as Superman is. But it's possible to make an exciting story about Batman doing something as simple(?!) as climbing up a wall, while Superman could leap it in a single bound.)

That's one, and I think the most critical, reason Batman is loved and Superman scorned. It's just plain harder to create an exciting Superman story because it's difficult to create visceral action sequences that challenge him. Alternatively, the writer can challenge Superman psychologically, but this makes for a less action-packed story. If the comments about wanting to see Superman punching villains through a world of cardboard in this thread are anything to go by, people aren't going to be interested in two and a half hours of Superman moping about how no one understands.

The second reason Batman is more beloved than Superman despite their underlying similarities is more subtle but almost as important, especially for comics and geekdom devotees. It goes back to the fact that Superman is seen as more conventional than Batman. Both characters, on some level, uphold or protect the values of their communities, but Superman does it from the inside.* Batman, on the other hand, is an outsider. Within the story, people like and admire Superman, while other characters ostracize and fear Batman. Further, Batman blatantly makes his own rules. He often explicitly states that he is above the law, because in his setting, law is invariably corrupt or ineffective. Batman and his few allies are the only moral characters in his universe. Superman, on the other hand, puts himself in the service of the laws and general morality of his setting. In a typical Superman story, only the villains are immoral.

The phenomenon of Batman as outsider interacts with culture in interesting ways. There's an impulse in Western civilization in general, particularly strong in American culture, and strongest of all in comics and geekdom culture, to identify with rebellion. This impulse has grown stronger and stronger over the past half-century, to the point where, I'd argue, it's a commonplace. A reader who feels rebellious or isolated is likely to identify with a character whom he believes represents rebellion and isolation, not a character he identifies with the status quo. Thus, readers are drawn to Batman, the outsider, more strongly than to Superman, the citizen of society.

I should point out here that a lot of recent depictions of Superman, apparently including The Man of Steel, have tried to emphasize Superman's isolation in an effort to make this phenomenon work for the character, not against him.

So, ultimately, we have a character who's hard to write for who's seen as representing conformity versus a character who's easier to write for and who's seen as representing freedom and rebellion. I think it's easy to see why people tend to prefer the second.

The issue isn't, as comic writers have argued, that Wolverine, the Punisher, and Cable eclipsed the inspirational innocence of Superman. The issue is that Superman has characteristics that make it really hard to write stories about him that fans will salivate over.

* Most erudite discussions of superheroes by non-fans go on and on about how superheroes are corporate tools to enforce conformity, an attitude that would surprise a lot of fans, who consider themselves rebels. Personally, as I hope the main discussion makes clear, I think the idea of superhero as Minion of the Establishment ignores at least half of the psychology of superheroes and their place in culture.

***

I didn't mean to write an essay there. Sorry. Hope you enjoyed reading.


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Posted

While I enjoy the deep analysis, I can sum it up concisely (at least my perspective). Make a good Superman movie and people will flock to it. Give us the same dated, corny, uninspired drivel and people will continue to love [insert other comic hero] instead because they've had better movies. He doesn't have to be the outsider and all emo. He can be all powerful, that's ok too. Just make it well.

BUT! Give him an actual threat that doesn't involve some scrawny billionaire with the deus ex machina of kryptonite. Make him get into a good fight with a superpowered enemy that will actually challenge him (they don't have to win). It really doesn't have to involve an invasion of (easily CGI'd) alien hoards like almost every action movie uses now days. One really powerful baddie will do. You can make a good superhero movie, that is compelling and smart that doesn't involve overanalyzing the hero's state of mental health and does involve good action as well.

The reason we haven't seen a good Superman movie, is because nobody has made one. (Nostagia of the Reeve's first two aside of course. I say they are dated, but I do realize some people still love them so I'll give you that)


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Posted

From what I gleamed from the trailers, it appears the US if not the world is seriously concerned when Superman first shows up. Who wouldn't be, he's immune to every weapon used against him, he can rip through a building or bank vault, he can fly with no obvious means of propulsion at supersonic speeds, he doesn't need to breath. He represents the ultimate threat if he didn't have the best of intentions. Of course then Zod shows up who doesn't. So you have two "god" class entities fighting for the fate of Earth.

I don't think the world in general will get behind Superman until the end of the movie, after Zod is defeated. But I suspect the powers of the world will still suspect him. Only at that point do you introduce a powerful industrialist like Lex Luthor. Hint about him at the end the way Joker was at the end of Batman Begins.


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Posted

Quote:
Originally Posted by MentalMaden View Post
While I enjoy the deep analysis, I can sum it up concisely (at least my perspective). Make a good Superman movie and people will flock to it. Give us the same dated, corny, uninspired drivel and people will continue to love [insert other comic hero] instead because they've had better movies. He doesn't have to be the outsider and all emo. He can be all powerful, that's ok too. Just make it well.

BUT! Give him an actual threat that doesn't involve some scrawny billionaire with the deus ex machina of kryptonite. Make him get into a good fight with a superpowered enemy that will actually challenge him (they don't have to win). It really doesn't have to involve an invasion of (easily CGI'd) alien hoards like almost every action movie uses now days. One really powerful baddie will do. You can make a good superhero movie, that is compelling and smart that doesn't involve overanalyzing the hero's state of mental health and does involve good action as well.

The reason we haven't seen a good Superman movie, is because nobody has made one. (Nostagia of the Reeve's first two aside of course. I say they are dated, but I do realize some people still love them so I'll give you that)
This.

I think generally the scenes involving Superman doing heroic acts in Superman Returns were visually stunning. But people still want the action. They want to see the superheroes fighting it out.

Sadly, not only didn't they give the audience action, they hammed up the villain, because that's how he was played up in the Reeves movies. Nevermind he's been portrayed as much less hammie in everything sense.

Whether or not Superman would win is irrelevant. Everyone goes into these movies with the belief that the hero will win anyways. It's the story and the action that really matter. And you can have a good story even if you know the protaganist is going to win.

As for Batman's lecture to police officers using guns, that remians one thing, BAD WRITING!


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Posted

Quote:
Originally Posted by MentalMaden View Post
While I enjoy the deep analysis, I can sum it up concisely (at least my perspective). Make a good Superman movie and people will flock to it.
Yep, that's about the size of it. I think the challenge is that it's harder to make a good Superman movie than it is to make an equally good movie about some other characters. I'm convinced it can be done; it just takes some work.


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A CoH Comic: Kid Eros in "One Light"