CaptainFoamerang

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  1. Dialogue I think you can go crazy with so long as it doesn't hinder the art or slow down the pace of the book to unnecessary levels (Example: a character is supposed to be performing a quick action such as ducking a punch and yet has time to think out or read an entire novel). Just focus on making it worth reading, though, and folks will likely be okay with any amount of dialogue.
  2. Quote:
    Originally Posted by The_Larker View Post
    Sleestack u should get the best Halloween avatar award this year!
    That reminded me I could probably change mine to fit the occasion.

    >.>
  3. Quote:
    Originally Posted by catsi563 View Post
    Also in a funny way the soul missing might not be the salient point of the episode. Why and How may be the the more pertinent questions.
    His soul may still be stuck in the cage with Lucy.
  4. Quote:
    Originally Posted by Hero_of_Steel View Post
    I loved the episode, but hated how the clip for next week completely revealed what was wrong with Sam.

    Sam’s soul being missing should have been kept out of the clip, and then shock us with it during the episode.



    Clips should be teasers to get people interested in watching the episode, instead of giving away major plot points.

    Movie trailers make the same mistake by revealing too much.
    Well it may be something they figure out early in the episode anyway.
  5. Quote:
    Originally Posted by Morbid Star View Post
    LOL, that was a Bible Quote in Pulp Fiction , not a Pulp Fiction quote ... also, nice to see Lois and Clark being truthful with eachother finally ... and that kid has got Lex's expressions down pact, that smirk was Wicked
    I know but it was popularized by Pulp Fiction.

    Also, one thing that stood out to me was how I heard Michael Rosenbaum was coming back because they were going to let him keep some hair or something, yet the kid balded himself.
  6. When Lois was giving her little sermon I was like, "Quote Pulp Fiction quote Pulp Fiction quote Pulp Fiction . . ." and then she whipped out the "great vengeance and furious anger" and I got a chuckle.
  7. Quote:
    Originally Posted by Ironik View Post
    It is. Romero had a falling-out with his partner over royalties and who came up with what. The end result was that Romero was allowed to keep the trademark of "The Dead" while the other guy was allowed to use "The Living Dead." However, Romero didn't instigate the lawsuit, the makers of Dead Rising did so that the owners of "The Dead" trademark (and makers of Dawn of the Dead) wouldn't sue them.



    I'm not defending the remake, I'm just saying remaking the original Dawn of the Dead isn't a bad idea. The most egregious problem for me is not that it's slow to build up (I actually *like* slow, which is why I own Solaris), but that the entire first part of the movie is people arguing about something that is completely theoretical and unseen to the audience. We have no stake in it and it's hard to understand what the issue is or why they're so vehement about it unless you come into the movie already knowing everything about zombies. Which in 1978 almost nobody did.

    For many of us, this was our very first exposure to zombie movies. You have to remember that Night of the Living Dead wasn't shown on TV back then and things like videotapes (we called them videocassettes) were just starting to be talked about for consumers but wouldn't be affordable for most people for quite a number of years. (I bought my first VCR in 1985; it cost $690. I bought one 10 times better in 2005, it cost $39.) So when we saw this movie back in '78, the lengthy talking-head portion at the beginning was especially mystifying and dull because we had no idea what they were talking about. The actors do a decent job arguing back and forth and it's a fairly dynamic scene, but without anything to give the argument context, it's just two blowhards shouting at each other. The film is actually full of this sort of thing, but that's a good enough example of what I consider a pretty major fault. The rule is "show, don't tell," and the first, what?, 8 or 10 minutes of the movie are all talk and no action. Halloween came out that same year and it has just as much exposition, except it's handled much more dynamically. Dawn is just lifeless (no pun intended) by comparison. Whereas Halloween builds the suspense and tension and the mystery deepens, Dawn just lays all the cards out on the table right at the outset. Since the guy arguing *against* the "just shoot 'em in the head" guy turns out to be completely wrong (Which should have been obvious to anyone who'd seen what was going on outside), the argument really becomes pointless.
    I'd just like to point out that pretty much all of Romero's recent zombie movies suck.

    That is all.
  8. I tried it out one time after watching The Office and didn't find it all that funny. It was ok, but just not good enough to add to my huge list of show to keep up with.
  9. Quote:
    Originally Posted by Apocalypse86 View Post
    Right, maybe I should pay attention to those things at the top of the page. I'm going to chalk this one up to memory/vision and move on. Nothing to see here folks, move along.
    No harm done, I just wish folks used my thread more.
  10. Dark_One, you have to consider that you are one of the heathens who doesn't use Steam, and Steam is a big part of PC gaming now.
  11. Quote:
    Originally Posted by Dedlok View Post
    Greg Pak was writer for the World War Hulk event. Which, in my opinion wasn't all that awesome. Planet Hulk was, yes, but not so much World War Hulk.
    It's probably because anything that has Sentry is automatically knocked down a peg or seven.
  12. Folks are overreacting just a tad.

    Once again, it's the author making all the comparisons to Twilight; no one from DC has suggested this is an attempt to cash in on that.

    Also, pretty much all Elseworlds stories tend to have a brooding Superman, because things aren't so cut and dry as they are in the mainstream universe. Hell, Superman in Kingdom Come is brooding. Superman in Secret Identity is brooding. Smallville may have left a bad taste in peoples' mouths because it was in the network's best interest to keep him in brooding mode to extend the series as long as possible. However, that alone doesn't reduce the likelihood of it being a good story or one that is true to Superman's nature, particularly since the best ones have him overcome whatever's keeping him down and stepping up to do the right thing.
  13. Isn't it the writer of the article who is making all the Twilight comparisons rather than someone from DC coming out and saying they're doing this because of Twilight? o.O
  14. I thought Marvel already ripped off Blackest Night with all that vampire garbage? o.O
  15. Quote:
    Originally Posted by Genesis Man View Post
    While Sam's out and out evil persona was a little surprising, this feels like they're rehashing the same old conflicts of last season, with Sam possibly being an evil Dean'll have to put down or deal with. The jury is still out on this season for me. I've still not seen anything that says, "Yeah, there's a reason we should keep going after the bloody Devil got sent packing."
    To be fair, all of the seasons tend to bring up the same issues between the brothers.

    Also, with the Alphas and the heaven in disarray storylines, I think they've got somewhere to go. I'm just hoping they get Sam back to normal soon so we can have some lightheartedness, even considering how well they pull off the dark stuff.
  16. Quote:
    Originally Posted by 2short2care View Post
    Well this friday we finally find out what is wrong with Sam, at least I hope so.
    Yay Cas is in this one.
    What I found surprising was that their grandpa didn't seem to know what it was. From the shifty way the Campbell's have been portrayed, I thought they were in on it.
  17. Quote:
    Originally Posted by Warp_Factor View Post
    Yeah, and Stallone is a lot shorter than that but he still manages to do OK as a manly action star. They can do wonders these days with camera work, custom footwear, and choosing the rest of the cast appropriately. Being a hair under six foot really isn't that big a deal.
    Actually in Rocky didn't they make a point to say he was small?

    And I'm not saying shorter folks can't be action stars. It's just that Superman is supposed to be 6'4" and it doesn't seem like that's something that's lost on the folks behind these projects, with Routh and Welling being 6'3" and Christopher Reeve 6'4". Sure they can fudge things like that with camera work and such, but should they really have to?

    Not to mention I don't think he really has the Superman presence.
  18. Quote:
    Originally Posted by Father Xmas View Post
    I was going to say they showed her accidentally sweep it into her purse as she was packing her purse. Now it's quite possible that someone or even it somehow assisted in it's theft by either placing it near all the stuff Lois was gathering or influencing Lois in some way.
    Obviously it was Theo Adam and Clark will have to fight Black Adam.

    And the fight will consist of two punches.
  19. Matt Bomer is 5'11" so yeah, no.

    Not sure if Tom Welling has the acting capability to carry a movie, or perhaps the creative team just hasn't given him enough to work with.

    I like how Routh has been involved in geek projects since Superman Returns and taken on roles that just allow him to have fun.

    I might also consider Jared Padalecki.
  20. I was hoping the reveal would be a shot to homage this cover.



    But the lack of glasses kinda ruined it.

    >.>