Some help with a WIP
My thoughts, for what they're worth...
Don't know much about Sentry but I think he's like Superman power level wise? Basically the strongest, most invulnerable... And if that is close to right I don't know if I see Iron Man as having a chance so the end doesn't have quite the shock value it could. Square him off againt the Hulk or maybe Thor and I'd be more wowed?
(note, haven't read comics regulary in about 2 decades so power levels of characters as I remember and imagine may he different/ have changed.)
My next issue is with the flying at each other panel. All in all it's a scene that has been done. You need to spice it up a bit more somehow. Perhaps have IM racing towards a waiting Sentry instead, Sentry either being unaware or almost bored by the attack. Or perhaps a perspective not used often... I was just thinking that placing the camera at about the small of IM's back and a but above could look pretty cool. That would probably show enough IM to make him identifiable and still pretty much give us things from his pov...
Anyway, point is that I think this scene needs to be livened up a bit somehow, just how doesn't matter much.
The last scene has also been done before but being a classic scene it can be done again without too much drawback... And it looks great so far so I am all for keeping that scene... Though perhaps this should he a whole page...
But what about the BOOM? Well, if you change the flying towards one another scene to make it more dramatic, more imminent, more epic, you could almost leave off the boom entirely. Show the boom via the results! Perhaps some lingering dust clouds in the last panel... I think I'd rather skip big sound effect panels but that may be just a personal preference...
Anyway, in my opinion I think you need to snazz up the coming together scene but if you do that in a cool enough way you do not need an in between page... And in fact the fighting page (the most obvious between page subject) would likely just take away from the impact of the suddenness of the final page.
Hmmm, only idea I can think of that could be interesting and keep the impact would be a flashback to show why the two heroes are fighting but that would be hard to pull off quickly and succinctly enough to note lose the suddenness impact...
Anyway, just my thoughts... (and final panel does look like it could come out awesome...)
Thanks so much guys. So far, some interesting ideas for shifting a few panels that I hadn't thought of.
Keep 'em coming, ppl. I've got a few weeks before I really have to have this solid.
My thoughts, for what they're worth...
Don't know much about Sentry but I think he's like Superman power level wise? Basically the strongest, most invulnerable... And if that is close to right I don't know if I see Iron Man as having a chance so the end doesn't have quite the shock value it could. Square him off againt the Hulk or maybe Thor and I'd be more wowed? |
My next issue is with the flying at each other panel. All in all it's a scene that has been done. You need to spice it up a bit more somehow. Perhaps have IM racing towards a waiting Sentry instead, Sentry either being unaware or almost bored by the attack. Or perhaps a perspective not used often... I was just thinking that placing the camera at about the small of IM's back and a but above could look pretty cool. That would probably show enough IM to make him identifiable and still pretty much give us things from his pov...
|
The last scene has also been done before but being a classic scene it can be done again without too much drawback... And it looks great so far so I am all for keeping that scene... Though perhaps this should he a whole page...
But what about the BOOM? Well, if you change the flying towards one another scene to make it more dramatic, more imminent, more epic, you could almost leave off the boom entirely. Show the boom via the results! Perhaps some lingering dust clouds in the last panel... I think I'd rather skip big sound effect panels but that may be just a personal preference... |
Having Iron Man slowly spiralling away out of control from such a collision, armor damaged, sparking, and smoking would be like Icarus getting his waxen wings melted. And the Sentry remains hovering in midair completely unphased....
The final panel as you've shown it would be great. It's almost like an afterthought that the Sentry casually plucks a battered Iron Man out of the sky before he can plummet to the ground.
Having Iron Man slowly spiralling away out of control from such a collision, armor damaged, sparking, and smoking would be like Icarus getting his waxen wings melted. And the Sentry remains hovering in midair completely unphased....
The final panel as you've shown it would be great. It's almost like an afterthought that the Sentry casually plucks a battered Iron Man out of the sky before he can plummet to the ground. |
2 hours ago I roughed out almost exactly that to run along side that panel. So that the final scene is him saying 'not yet' as he catches Ironman falling to the ground.
Here are some modified roughs. I'm still considering (and am open to) some additional changes.
Hope you guys can figure out what I'm doing in these chicken scratches.
pg1
pg2
p3 (but room for more at the top (?)
Really like the direction this is going Juggs. I can't really add much myself that hasn't already been suggested. Though I can say this one bit. Sentry's powers are retarded OP so just about anyone (cept maybe Pheonix) wouldn't stand much of a realistc (in comicland) chance so keep with Ironman since yeah.... he is pretty damn cool.
I was going to suggest something like your new workup, except not quite so epic. And then I forgot about it while hunting down information about Sentry, which turned into trolling Wikipedia for comic lore, which turn into trolling Google images for pictures of comic covers, and then I closed the window and went to bed....
lol
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my opinion...
1st page
I'd make the first panel larger.
2nd/3rd be an eye shot of both, shrinking it.
4th panel should have trailing perspective behind one of the heroes and add screams/roars from either.
2nd page remove the BOOM, shrink the image with the chars higher on the page and fit fully on the page, and add a caption.
I had earlier thought (before I also got caught in one of those surf-happy tangents) that the scenes had no context or consequence. But your "not yet" gives it some consequence. Perhaps something in the backgrounds will indicate what they're fighting over, or whether they're ignoring/protecting innocents in the background, and what might be the collateral damage of the BOOM.
Since backgrounds often come last, perhaps just a few words (even dialogue) to indicate the reason for the match-up. Then expressions, behaviour can be tweaked to match.
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So, here's how they're looking so far. I obviously haven't incorporated everyone's thoughts, but I'm hoping I touched on some of the strongest suggestions for change.
pg1
pg2
pg3
Sound effects and dialogue to be added.
Any thoughts?
Very cool.
It all works for me and very clearly shows the story of a very one sided fight. I'd almost prefer if it was just a one punch fight and the top 3 panels of page 3 showed IM trying to maintain consciousness/flight but failing... But that's just me. The fight scene works great as well. |
Agreed. A one sided fight as it should be. The Sentry could well be pulling his punches, but making sure that Tony is completely aware just how outclassed he is against a being that goes enjoys going toe to toe with the Hulk (the only opponent the Sentry can really cut loose against) and has no compunction about tearing opponents limb from limb.
He hasn't added the text yet, as he said at the bottom of the post.
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it's great but there does something title or as decoration on the top of page 1?
This seems a bit empty, everything else is perfect but these two little characters make me weird ... |
a colored background and some lighting should fill the void you feel in that part. imho.
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All your adding of panels makes it worse.
You don't need to explicitly draw every single action. You need to tell the story and let the reader/viewer build the rest in their mind. That's half the art of sequential art.
All you've done is cluttered things up, told the same story, and it's no more fetching than before. And that is largely due to what's there and not what isn't. Also none of the panels are very dynamic. One of the panels give scope but that one is very boring.
You don't need to explicitly draw every single action. You need to tell the story and let the reader/viewer build the rest in their mind. That's half the art of sequential art.
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Forget that we're dealing with Iron Man and Sentry for a moment, and compare the two fight sequences that Juggertha has graciously given us to view.
Ask yourself this: What sort of impressions do you get from the story narrative of the first fight sequence, and then do the same for the second fight sequence.
Also none of the panels are very dynamic. One of the panels give scope but that one is very boring. |
Here's a different take at page 1
I think the new page 1 gives me a better feeling of a stand off at the O.K. Corral (above the city) than the original. So I give the latest a big thumbs up! So would your page 2 be just the big punch? I'm good with that.
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2 guys are rushing at each other...
1 guy is flying victorious with the other limp in his hand or the city...
What happened between these two panels?
Was it a long time? no
Was there an extended brawl? no
Was it a singular attack of devastation? probably
What attack? Who cares? Let the reader decide or wonder.
This would be a build up thing that happens as if its the climax it needs to be way longer and can't be so easy so it's a cliff hanger or build up...If you going for this big clactic battle then it needs to be several pages, but your looking to make it decisive and in that case you just need to know the Components, attitude, and results and leave the read questioning how did that happen or constructing it in their mind if they already know the character or even better yet if they think the winning character is a disadvantage because then that makes the next fight that much better.
So in every instance where you would use this short of a battle you'd want to show leave out the actual fighting.
You could also use a really cool panel layout where the first and 3rd panel create triangle of the 2nd...
The first is what you have, second is perhaps a close up of Sentinel, is it?, then in the 3rd you have Ironman charging at him while sentinel remains where he is... and then 2nd page is the last panel, but scaled down to fit on the page and have him over the city.
this is just my opinion ... but I say ...
- the new page 1,
- the first two panels of page 3 at the top of page 2 (instead of the 2 characters rushing at each other) the big punch (already on page 2) below it, and
- then the hanging limp image of page 3 on page 3 ...
and that's it (the big punch in the face isn't really necessary imo).
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So, I have a major challenge in one of my monthly art battles, and I've decided to post my WIP ahead of time in the hopes that I'll get enough feed back to give me a fighting chance.
The challenge was 'Sentry' from Marvel. I decided against a one-shot pin-up, and have gone with some sequential pages. I also thought that adding Ironman into the mix might be cool.
Here's page 1 and 2... but I'm seriously thinking of inserting a page in between them.
So, can it stand as is, or do I need to add another page? Also, if I do add another page, what the heck should I put on it?