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I think you meant :27 but yeah, it looks like that.
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Riley did beg Young to do it, stating that he was in great pain. It's not like it was Young's idea.
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As I said in my review, if you liked the first you'll like this one. It's not trying to reinvent LTROI by any means.
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Quote:<Spoiler alert>*sigh* I have the book coming in a few days and am looking forward to reading it, but I'm really upset to see she is a he. That is just stupid. I plain refuse to acknoledge those 3 seconds in Let the right one in movie. lol. It makes no sense (without having read the book) why pretend to be a girl. it kind of ruins things. but whatever like I said I loved the original and just ignore that part, and will see the new movie soon. I just think the crying game crap doesn't add anything to the story at all.
It's really not so much a Crying Game situation. Eli doesn't really identify with a gender and never really attempts to pose as one or the other, after hundreds of years Eli is just Eli. Just due to the way Eli looks people assumed they are female. i.e. it's not really a big part of the book; no bigger than it is in the original movie. It just gives a bit of the background. -
Quote:Trust me, Let the Right One In is anything but a vamp soap. No sparkles or delusions of "vegetarian" vampires. In this book they are nasty nasty creatures who kill, manipulate, and fry up crispy when exposed to sunlight. And it's far from a book for tweens.LoL, looking at the thread title, I came in here expecting to see people whining about the servers still being down nearly two hours past the estimated time. Instead I find a discussion about vamp soaps. I guess it's refreshing in a sense. At least we have something else to talk about.
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Quote:Book spoilers and delicate content.................................Based on what's been said in this thread so far it seems like you could actually take the book, the Swedish film and the American film together as three versions of a single Rashomon styled story. Each version highlights different elements of the core story and collectively makes them all stronger for it.
*** spoiler alert ***
I personally enjoyed the exploration of the relationship between the vampire and her apparently older original companion. I haven't read the book yet to know if it clearly defined how old Abby/Eli was but even from the American film it was made pretty clear that she was at least 50+ years old (perhaps even much older).
I know this relationship has been described as "pedophilic" because that's the first thing people think of when they see a hinted-at sexual relationship between someone who looks like an older man and a "person" who looks like a 12 year old girl. But the vampire factor makes this story interesting because you have to force yourself to realize that the "little girl" in this relationship is quite likely far older (mentally if not physically) than the supposedly old man is. Can you really label something like this pedophilic when both parties in the relationship are at least many, many decades old? As a twist you then have to realize that the relationship between Abby and Owen is actually the more aptly named pedophilic relationship in this story because even though they both 'look' to be about 12 years old Abby is of course much, much older than Owen is.
Eli in the book is several hundred years old. They were taken into a castle as a child and made a eunuch and was abused by the strange lord of the castle and turned to be a child forever. The fact all of this was done pre puberty explains his androgynous appearance.
Hakan (in the book) is a former teacher who was fired because it was revealed he was a pedophile. Eli used Hakan to procure blood from people as to not create more vampires and paid him with money even though he said he would do it for free. He makes several requests for physical contact but it is never reciprocated from Eli. And even after Eli finally gives in, events get in the way of it ever happening.
And even though technically Eli isn't a child, Eli looks like one and is therefore attractive to certain predator types and has in the past used it as a method of getting blood. -
Quote:You probably do get "too defensive" and yes it is a half joke. And even though you can point out that ice can be transparent (thanks for that Dr. Science) it still is.........cold. Drops in temperature may be noticed. Unless the concept is room temperature ice. You always could go with that I guess.I probably get far too defensive when it comes to Stalker concepts and proliferation, but do people actually think this way? Or are they only half joking?
Because a man made of ice can be just as clear as glass...invisible, one might say.
Not that you even need to explain being invisible ice (concept = you're a stalker therefore you can turn invisible. end of story) but it's the easier concept to explain.
But yes I was just being silly and making a little joke, so don't get so riled up. Sgt. Hulka wants to have a word with you, by the way. -
Well funny you should ask. As soon as I got out of the theater and home it was time for No Ordinary Family and then so on and so on and so on then sleep then work then NOW I have time to write out my thoughts.
<<<Consider anything below a spoiler>>>
A little background for perspective reasons. I bought the book and the movie at the same time when it first came out on DVD (Target had some kind of special on the two together or something like that if I remember). I made a point to read the book first then watch the movie after. Really enjoyed both, a lot. Went to see LMI yesterday afternoon. (as stated before)
Overall- I think it's a good rendering of the source material, maybe a tad incomplete. The book itself is pretty dense with information and many more characters but I think the American version did a good job of telling the core story while hitting most of the important plot points along the way (just as the Swedish film did). The child actors did a great job and I think it's safe to say that Chloe Moretz is going to be a huge star one day. As far as it's relationship to the Swedish movie they both feel extremely similar in look, tone and pace. They did seem to take strides in making the two movies feel like the same story. My first feeling was it seemed like the movies were twins, but fraternal twins. I'll agree with someone earlier who said if you liked the first chances are you'll like the second. I'd venture a guess if you hated the Swedish film you won't care much for the American version. I enjoyed it and think as a remake it worked and as a film it worked.
Differences- (And I'd like to point out not all of the things I'll list here are necessarily bad, just different. I'll try to give my take on pro or con.) They did play a little bit with the relationship between Abby and "her father" and their relationship to make it seem less sexual and more old friendship. But I would point out that they didn't take that possibility off the table either, just that it seemed a little more platonic. The book and the Swedish film don't shy around the subject, it is what it is. Personally I think it's pretty important to the story, and while it's a very uneasy subject I think it does add a dimension of sadness and terror to the original story. Leaving this out, or at least heavily covered it up, didn't ruin the movie for me though. It just made the story a little more "shallow" or "unflavored". (More on this in a minute) They also did up the BOO! moments a bit and threw in a bit more gore, none of which were gratuitous or over hyperstylized like some American horror cliches. At some points it was a bit too CGI-y, but not a gamestopper. One thing I did notice very different from Swedish movie and book was the fact that most of the victims were relatively unknown to the viewer, where the book and even the Swedish film did a good job of letting us get to know these people and that makes their deaths all the more jarring (personally).
I really wanted to see the barfly's and hear their stories and see their stories. Having Virginia/Victoria and her story get distilled down to a few minutes didn't carry the weight it did in book or original film. Her transformation is the moment where the reader and viewer start to realize a lot of plot points up to that moment: why Eli sends Hakan to collect the blood, if she does have to feed directly from someone why she has to break their neck, etc. What took place over many days and was tragic and touching at the same time, was pretty much turned into a fancy FX shot. Sad, but not fatal. I also think there were subtle changes in the approach towards the children. This Owen (Oscar) was a little less sympathetic to me, and a bit more accepting of what Abby was doing. The Swedish Oscar (Owen) seemed a bit more innocent and less accepting to me. I think there was something very interesting and menacing in having the Swedish film Eli (Abby) be androgynous whereas the American version was so cute and feminine. The only way to make her stand out was not wearing shoes in the winter. The Swedish version had an otherworldly quality about their appearance that, for me, brought a certain cache and weight (and as I said in another post a sadness) to the part. The thing about the original characters in the book was they were both misfits and while we see Owen getting treated like a misfit, we don't get that from Abby as she looks relatively normal, especially after bathing. But as I said Chloe Moretz did a great job. Their relationship in the American version was fleshed out a little more and did have a bit more romance and sweetness (and suprisingly a bit more sexuality) than either the book or original movie did. Not enough to change the overall feel, but palapable and I think another way to soften it for the "American audience". In the book it was less about physical attraction and more about friendship between two friendless outcasts.
Back to the American Abby (Eli) and her "father". With the changes they made here it greatly changed the dynamic of the ending, even though it's almost a word-for-word/frame-for-frame recreation. Where in the book and first movie, it's more like two lost souls riding off into the sunset, what you see in this version is that she's merely recruiting her next companion and that Owen will end up with the same sad fate as "The Father". So in a way, maybe this ending works better, because upon looking back at the original two, that was what he'd end up being anyway; he was afterall, a boy and she a vampire. So it's hard to say which "works", but the American ending was a little less arty and a little more pragmatic.
Like with most adaptations my preference lies with the book (the original source material) as I think it has many more layers of flavor and nuance that you can't get from shortform media. While the overall story isn't really about what kind of "relationship" Abby has with the Father, it gives a depth and sadness to the character and the book that goes beyond a little boy and girl becoming friends against great odds. Some people prefer a distilled story, some like the full course dinner. Me, I like my books wordy with a gross amount of details. A comparison of the movies as I said before: fraternal twins or two sides of the same coin...if you like one you'll like the other yadda yadda. BUT I would encourage anyone to partake of any combination of these properties, they are all quite good and can be enjoyed alone, as a duo or even a full set.
Edit to reduce block o' text. -
Gross speculation:
Maybe the devs are tying all of the transports (trams and ferries) because with Oro under attack we won't have our favorite little shortcuts anymore. -
While I realize it's not exactly the same, isn't side switching and Any-AT-starting-Praetoria sort of doing something proliferation-esque? I'm enjoying my blueside Praetorian stalker.
/shrug
But I do want to see ice stalkers.
"Is it cold in here to you?"
"Hey, what's that?"
"Oh nothing, just a big block of ice someone left lying around."
"Did it just move?"
"Eh, don't pay it no mind. What's the worst that could happen? It's just ice."
ASSASSIN FREEZE!!!!
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Pffft, I prefer to play with my eyes closed anyway. I like a little challenge.
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In the theater now for a matinee. Will post after with my thoughts.
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Quote:***possible SPOILERS***
My understanding is that the book makes it unavoidably clear that the vampire is not female, but is a disfigured boy. And spends time on the topic as a central theme. And comments about LTROI in a couple sources I remember reading after seeing the movie complain/note that it did not spend as much time on it. Interestingly it appears there were deleted scenes that explored this more, at least according to a quick wikipedia-check.
I hadn't even given any thought to the other. I had just assumed that Eli/Abby had aquired him as a far, far younger individual who had stayed by his/her side throughout his lifetime, and had not thought more explicitly about a pedophilia aspect. I can easily see the new companion being Hakan/Dad in a few decades...Quote:Spoilers below (don't read).
As I understand it, there was a quick scene showing Eli was not all girl so to speak in Let the Right One In. From what I read, many people had real problems with it, and wished it not being in the movie at all. In Let Me In, the scene is changed, and keeps the perspective that Abby's comments about herself being not a girl is that she inferring that she is the monster that she is. She even stops saying it, after Owen learns what she is.
From what I read about LTROI there are other changes in motivations as well, in LMI, Abby is portrayed as a monster and Owen a good kid being turned to the darkside, while in LTROI Eli is remorseful about what she is, and Oscar is conveyed somewhat as a monster. I will watch LTROI myself (though I'm saving it for Halloween), but so far from what I've read, I think I'll like LMI better.
As for what was changed from the book, it was the pedophillia aspect of Eli and Hakan's relationship that was avoided in both movies, which in my opinion served the story better.
To be precise, in the book, Eli was a eunuch before being changed to a vampire. I don't know if leaving out the pedophilia "better" serves the story, it just may not ruin/damage it. I think it helped establish a sadness about the characters and made Hakan pretty scary. It also showed one way that a "child" vampire could find a true confidant to "take care" of them and get them the blood they required. A very unchildlike yet smart way of getting around in society. It's tough subject matter for sure, but I think it adds to the original story. -
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A controller is it's own status protection.
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All this machinery
Making modern music
Can still be open-hearted
Not so coldly charted
Its really just a question
Of your honesty
One likes to believe
In the freedom of music
But glittering prizes
And endless compromises
Shatter the illusion
Of integrity -
I don't think it was in the after show previews, I think it was on a promo later in the week (where I saw it). Could be wrong, don't think I watched my DVR'd version as I'd seen the pilot a while back.
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Well its just not a damage pet, the only damage it even does is a minor damage aura, so what would be the point of giving it damage enhancing sets?
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Dark Servent does not accept damage enhancements of any kind, therefore regular pet IO sets and recharge intensive pets (which has damage) can't be slotted. It instead takes the control/buff/debuff sets all of which have plenty of recharge available.
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