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What happened to the whole "This is just a fun contest and we don't need to worry about the rules" way of thinking? I thought that the whole idea was that everyone was getting along perfectly and that we didn't need to muddy up the waters with rules because the "prize" didn't mean anything.
Boy, you'd think that there was actually something to the idea that dramah was lurking under the surface this whole time. Sure is a shame nobody said anything about it. -
Just when you think that I'm the meanerest person in the whole biggerest world, reality comes to smack the forum in the face with a limp snausage.
Though it does make me laugh a little, because according to the rules, his vote counts just as much as everyone else's. That means that there's no reason to disallow it, aside from outright cheating. -
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Quote:Depends upon context, as I said.But that's the thing, if you did draw Juggs, or I drew Mel... could we also be stepping over some line?
Quote:So, does the creator get to control how his or her concept is being used?
Quote:Can I stop you from drawing Juggertha? Or am I within my rights to at least ask you not to? (hypothetically speaking)
Legally, you don't own the Juggertha that exists in the CoX universe, NCSoft does. You retain the rights to the use of the Juggertha character as it may exist outside of the game, but when it comes to a legal stop of the in-game character, only NCSoft has any legal right to make me halt. Even then, I'm allowed legally to draw Juggy whenever and however I want, but there are limitations on how and where I can use and display said art. I cannot take credit for his creation, use him for profit purposes and beyond a certain point of parody, I cannot use the art to engage in harmful behavior.
But legality is a pretty fragile thing. When you have enough power to re-write the laws, they no longer apply to you. Look at what Disney does and the complete mockery they've made of the entire copyright issue altogether. That's a situation where 'might makes right,' which many people don't agree with. Morally, that's completely irresponsible, though again, you can argue about stance that as well.
Socially, I may garner backlash from 'improper' use of Juggy, depending on the context and environment I use him. If my peers dislike how I behave, then I'm subject to their opinions and views. But this is not a legal binding decision and ultimately has no effect on me, if I ignore it. Once again, you can't stop me from doing what I want with him.
This type of "moving of the goalposts" is exactly why you need to have a strong personal stance on how you use art and what your own code of ethics is. Because if you rely on other people to make your judgments for you, not only can they be proven wrong by any number of other debates, but they fluctuate to the point where you may as well not have ANY ethics at all. When nothing can be 100% clear, I will choose a set of personal behaviors and stand by them. Because at least I believe in *something,* even if it's ultimately as useless as everything else.
Quote:This is related to the car a bit as well - could Porsche sue an adult film company for misusing its image (for example)? -
Birthdays mean two of my favorite things. Presents and spankings! If you're really lucky, they're both related to the same thing. :3
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Quote:Stock photography by it's very nature was done for the express purpose of reference. In it's creation, the artist has given you permission to copy it for any use you want in creating new works. That's like me going outside with a stand that has cupcakes, with a big sign saying "Free cupcakes, have some!" Nobody can steal them when I'm freely giving them away.So where does stock photography fit into this? That is, photo references taken for the deliberate purpose of being used as reference material for artists of all mediums. Especially stock photography that's for sale? (two seconds on google and you'll find several sites doing a thriving business). Do artists who use stock photography to create pieces 'mar' their work? Are they just ripping off the photographer?
When it comes to how much I'll respect the artist for using stock photos as references, I will always give more credit to the one not using reference. They put 100% of their own work into the piece, unlike the one who copied from a ref. No matter what you do, when you copy something, it's never entirely yours.
You forget all the explanations about creative tools and the difference between them and referenced works. Words and language are a tool, not a creative work. I realize you're trying to be funny, but this *was* gone over. -
This is a proper example of acceptable use of reference. While having copied the pose from a photograph, Juggy took the photo himself, thusly having supplied himself with his own references. It would be the same as 'stealing from himself' which you can't do. Everything in the picture has been brought to the piece by Juggs himself, so this is perfectly acceptable.
Now, he did use a pre-existing copyrighted character, but within the context of the picture, he's making reference to the Doctor Strange character. If he instead said "this is my original character" then we'd have a different situation. The situation gets more gray when the character being copied isn't a widely known character and people start thinking it belongs to you, when you don't credit the source. In those cases, it's best to always give the source material, to avoid potential problems in the future. This is the role that context plays within the work. If you didn't know who Doctor Strange was, you may very well think that it's an original character. The fault would lay somewhere between the artist and the viewer, though the artist can always control what the viewer sees, so in my book the onus is on them.
This is also the answer to your problem of the sports car. When you're referencing it, you're trying to show the view that "this is a specific model car." If you said "this is my car that I designed" then things would be very different. This is the same as creating works with specific people within them as well. Adding a celebrity into your work is showing the viewer that you were trying to render a particular person. As long as the viewer recognizes the subject, it's not an issue. If you say it's a specific subject you were trying to render, the viewer won't think it's your original creation even if they aren't knowledgeable about them. If I drew Juggs and you drew Mel, nobody would claim we were stealing each other's characters here, because the context here on the forums is clear. If you did it elsewhere, where that information isn't so clear and also didn't say that it was someone else's creation, then things get muddy again. -
Quote:This is an example of art theft. You flat out copied a majority of the lines and the pose from the original. Frankly, I wondered how you managed to do such fantastic work when you were just learning how to create your own art, but I never thought you'd taken a pre-existing image.So this would be an example of which? Swiping, copying, improper use of reference, or "the original was changed enough so that you wouldn't think of the original when you looked at it, so it's kinda ok"?
I would have had a lot more respect for you, had you posted that you took the pose from something else, when you first posted this. Not being upfront about it is what the majority of the problem is. Because in doing so, you attempt to claim credit for the entire image, when it's not entirely yours. The "theft" that goes on is recognition. You stole the original artist's recognition for all the effort they made to create the original.
If you had posted the source in the beginning, I would have been informed and not attributed the queen entirely to your work. It still would have been marred by copying, but you'd be taking credit only for what you added. Sadly, now I'm wondering what else you might have taken from other pieces too. -
Quote:There we go. That's what this all boils down to. You refuse to post a stance on your own values. Yet you're trying to tear down someone else's. That's not respecting other people's values, it's just trolling for a confrontation. If you really want a serious discussion instead of a constant ribbing of each other over inane things, step up.Again, I'll state - my values are my own - and really are far too complex to be given word here. I don't have to share them, and truth be told, couldn't - there are just far too many values at play. That's why a lot of my posts on this thread have been questions.
Everyone who's posted their particular stance on the subject here has opened them selves to criticism, but displayed a valid position on the argument. You haven't. Dissent isn't an opinion, it's a reaction.
The most amusing part of this whole thing is that this behavior is what you can't tolerate from anyone else. If anyone disagrees with you, you blow up and try to label them as a misfit, yet you do the exact same thing. Nobody here is an angel. You're not free from hypocrisy and sin either, don't try to rationalize it like you are. You live in a mighty big glass house.
Once more, if you wanna have a serious discussion and not an argument, then meet your opponent on equal terms. Prove that you're not just being a belligerent troll and take a real stance. At the moment, you're not in a debate, you're the guy in the corner yelling "NO U" over and over again. -
Quote:Really, this is a case where within the confines of a 'professional world,' there are too many deadlines, too few original ideas and too little room to expand within, so anyone within the business must make the sacrifice of morality in order to succeed. That's a pretty common thing for business, in general. But just because it's one of the evolved traits that make the business operate more smoothly, does it make it 'right?' No.But take a deep breath: they do it and they think it's okay to do it. Professional artists of ANY kind do it. And yes, there are still plenty of artistic pursuits which REQUIRE copy-ability: advertising and movie posters particularly. Hell a friend of mine attended classes by the guy who made all those iconic 80s and 90s action flick posters, and he taught how to do it EXACTLY LIKE HE DID. Why? In order to get a JOB doing that. It's a valid use, in a huge market.
There's plenty of examples of immoral ongoings in the business world, this would only be one more on an already large pile. It doesn't justify the actions, it just makes it well tolerated. There's a pretty big difference there.
In addition, there's a lot of people who want to say that "your morals aren't anyone else's." Well, of course that's true. Nobody's morals are the same, unless you've been fed yours by an external force. But if you wish to interject that your own morals are equal to that of the dissenter's, then theirs are also equal to yours. Everyone in the world has their own moral compass and because morals are just a particular variation of opinion, everyone's in the world is correct. No matter how extreme, or how terrible you might think they are, the are just as right as you are. -
Quote:I was really hoping you'd take the time to reply openly to my critique of your work without you 'taking a stand' too. It works both ways, Juggy. The moment you tried to dictate where I can and cannot voice myself, you forever ruined any chance of me taking you seriously.It really wasn't a big thing to me and I was really hoping that you'd chose to take the time to reply to my main converstation with you about 'taking a stand'.
At this point, you're just looking for a confrontation. Which, as much as I'd love to slug it out with you once more, this is BW's thread and I actually respect him, so I won't. Sorry. -
LOL Oh Juggy, you always accuse me of taking swipes at you, yet this is a reply to Kai specifically saying he wanted opinions *and* I specifically stated 'my values' in the opening paragraph, as well as talking about my personal respect for an artist.
Seriously, what more do you want? I'm never going to be bubble wrapped for your protection. I will never fit into your Ultra Politically Correct world. I did specify my own feelings on the subject, you have nothing to complain about.
Also, bubble wrap is awesome and if I'm wrapped in it, it's certainly going to be for non-PC reasons. -
It's a sliding scale of respect. There's no straight binary answer here, as each infraction of my values decreases my respect for the person or the work involved. It also depends upon other factors, such as equal opportunity to work and ability to learn. A 6 year old doesn't have the opportunity to have a lifetime of experience like a 55 year old would, so they cannot be judged equally. Someone with no arms must develop new additional skills and cannot be judged equally against someone in perfect condition. Every situation is different, so no true all-encompassing truth could be had. But on a general basis, assuming relatively equal ages, ability, etc:
Quote:Do you consider costume design original art?
Quote:Is replicating one theft/copying? If you change the colors or the gender of the characters?
Quote:Do you consider assembling and posing commerical render objects original art if you have not designed any of the assets yourself?
This may make some people think that my views extend into the extreme thought that all 3D programs and graphic editors are also 'theft' because you didn't write the program and tools yourself. No, that's not true. A program is only a tool, as a pencil is. Only elements that make it into the final piece would be subject to that judgment. I can make a bitmap image in countless different programs. Pixels are a medium, not a work. 3D modeling is a medium as is cloth. Specifically arranged pixels (like a specific picture) is a work that can be copied or 'stolen.' Specific 3D models that are created by someone is a work that can be 'stolen.' A dress or a shirt is a specific arrangement of cloth that's design can be 'stolen' too.
Quote:Do you consider photomanipulation theft/copying? How much must be altered before its considered an original work?
Quote:Do you consider subject substitution original art? (ie, taking an iconic comic/movie/bookcover scene and changing out the characters)
This is why you use context. Something could be original within the realm of photography. While the elements will not be your own, they can be your own original use of them. Within the realm of photomanipulation, it can be an original technique or attempt towards an idea. This assumes that within that genre, we ignore anything that makes it unoriginal. This is typically how we speak of our comparisons, but the reality still lays underneath it all. -
You haven't posted anything here, nor anywhere else to really show your stance on the whole thing Juggy. You've posted time and time again why you're against other people's stances, but never cemented one yourself. In this fashion, you protect yourself from judgment, but it weakens your position in the argument in general.
There's no reason why you have to post a stance. It's a valid route to not give one at all, but it's never going to help anyone else see your side of things. Until you post some specific examples and rules that you govern yourself by, this passive-aggressive 'conversation' will never move further.
Perhaps that's what you want, I'm not sure. Though I'm pointing it out right now, so if you didn't, now you'll know. -
Quote:I posted nothing but the truth here. Sorry, Juggs, but that's how the reality of this is working. Also, I already made my case previously and even posted examples. More than anyone else did so far.And then we have Suichiro, who comes in for the swipe, without actually addressing the matter at hand.
To be more fair, *I* do. BW only followed up on what I pointed out, he didn't do the finger pointing. But nobody makes for a more well thought out case.
Mod 08 came in and erased all the posts that had anything to do with the examples and proof in the previous threads, so there's no history to go back to now. Going back to that thread is now a moot point because of it.
Quote:But, ya that is a whole other can of worms. If you're a dude and your main is a RP chick toon. In my book, you're forever referred to as a chick. -
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TL;DR
Juggy agrees with LD, except when it suits him. In which case, he agrees with him more, but only in a belligerent way. -
I say technique because it's *not* style. You can't steal someone's style from a picture because it's something that inherently encompasses more than one work, but you can steal the work they put into the picture. Think of it as a tangible object that is created by your style. You take that product, from a specific work.
Technique is the only word that fits for that product, as it's not bound by specific line, color or judgment. It can be anything from layout, subject, placement, rendering, cropping, line quality, negative space, contrast, etc. The effort an artist puts into a specific work is summed up by 'technique.' Whereas style is something that is indicative of an artist's preference towards a particular mix of skills and decisions, which by it's definition cannot be taken from one specific picture by plagiarism.
But nevertheless, this is going beyond the original intent of the thread. You know what I speak of, even if we disagree on the wording. -
1st- Frost, because he captured not only the methods, but the heart of what kindergarten art is like. It's undoubtedly childish, instantly recognizable and fulfills every part of the theme this month. Way to own the subject.
2nd - U-Naught, for doing impressive work with crayon, while again capturing the heart of the kindergarten theme, not simply the method.
3rd - Shia, because I love the cutout and paste work, but mostly because there can be no hotter chick than MILFberry. -
Quote:No, I don't have it backwards. In this particular example, we're dealing with copying and referencing works that already exist. Within that scenario, copying someone's technique is what the offensive behavior boils down to. Technique is personal to every artist and it's an amalgam of particular behaviors of that artist develops over time. There are many generic art techniques that you can make use of, but it's the particular ones used in a pre-existing work that should be hands off. What you're speaking of is 'style' which is a method of applying a particular technique, but not the exact technique used on the work.Suichiro, I think you have it backwards. Technique is something you can imitate all day long, and it can be a lot of fun to try someone else's. Plus, I don't think there are enough techniques out there for each to have their own. It's the creation, or image that is protected. Not the style.
If you crib a particular technique from an artist into brand new works, it's not exactly the same. You deconstructed it and applied it in your own style, even if you think it's a 'straight copy.' I could steal any artist's method of rendering hair, drawing muscles, or applying shadow, but the art would still be mine. But if you copy art without modifying it, you're stealing the subject, the method and the technique of the artist. If I copy a line drawing of a pony line-for-line, I added nothing to the art. I directly took the effort that the other artist made in creating that piece and that's why it's wrong. Even if I add my own elements to the picture after the fact, it's still plagiarism.
If I instead copied the style of the drawing and drew the same pony in a completely different pose, angle and layout, then I didn't copy that artist's effort. I'm deconstructing his style, but I still had to put in all new effort to do so. That's what makes copying art 'wrong' IMO, and it's an important distinction. The less work you do and the more effort you steal from someone else, the more wrong it becomes. Whatever you wish to call it, technique, style, application, it's all the same. It's the work that an artist puts into the picture.
I copy stuff sometimes myself. When something strikes me as a funny idea, I'll take something and modify it to my own ends. Take my Dragonberry and Mel pic:
I really liked Bruce Timm's picture of Harley Quinn and Poison Ivy, but I thought it was a cute idea to replace them with Mel and Deebs. Even though I redrew the picture myself, changed elements of the picture and had it colored differently, the fact remains that there's a large portion of the picture that I did not put effort into. Those parts are not mine, those parts are Bruce Timm's. The poses, the layout, a majority of the exact line work, they're all his techniques he applied in this picture. I do not consider this a piece of my art, because it's not. I did not want anyone to think that it was, so I branded the picture itself with a reference to where I got the original image from.
To some people, this would be "my" art, but I contend that it is in fact, not. Perhaps some of it is, but not all of it. Recreating Bruce Timm's style in order to redraw the parts I modified was not wrong, but directly taking his lines and methods in the parts that I did not change was. If I were to try and pass this off as mine, I would be rightly subject to scorn and anger.
Where does the line between parody and copying lay? Personally, I believe that parody makes reference to the original. By it's nature, it's a reaction to something pre-existing and therefor it's never thought of as entirely original. Copying on the other hand does not make reference to it's origins, trying to be passed off as an original. This is something most artists despise and rightly so.
Quote:And I hate Dadaism. -
Dark is superior to Rad for soloing for three major reasons. First, it has more mez, meaning you can lock down annoying mobs. Secondly, most of it's debuffs stick around even if you're mezzed, which often happens when you're playing solo. Lastly, it has a pet at high level, which also spams control, debuff and healing. It's like having a mini team all on your own.
Rad is fantastic, though the moment you get mezzed and your toggles go down, you're toast. Eventually, everyone runs out of BFs. -
I think the real key here, to put it simply, is that it's fine to copy something for it's reference value, but not for it's technique value.
If I draw a cat, you can copy my cat to make sure that the head is shaped right, the proportions are right, the tail is thick enough, etc. But if you copy my choice of poses, the way that I render fur, or the style that I apply value in, you're taking my *technique* instead of my reference. The same is said for a photograph. A photograph is just a fancy copy in one sense, but the artist's investment in angle, layout, timing and development is all their technique they've added to the subject. If you copy that directly, you're simply stealing effort from them.
At the heart of the issue is a problem with artists trying to steal technique from other artists without proper acknowledgment or citation. When try you pass something off as your own, you do everyone involved a disservice. It hurts you to copy someone else in this manner, if hurts everyone else to not be honest about it. -
Yeah, it looks like an entirely different character. Caemgen, this is definitely a wakeup call that you simply cannot order any more art before you find yourself someone to do character bible sheets for you. Every artist is going to change details about him until you can provide good references for him. Even then, it won't stop, but it'll be more of their unique twists and less of not understanding his character.
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On my signature Fire/Dark, I run teleport and a celerity stealth in my sprint. That allows me to stealth and recall teammates even when my Assemble the Team is down. It adds a lot of utility to an already robust build.
I rarely need the stealth for anything else, as you're an aggro hound with all the AoE, but it's nice to have in the pocket.
With all the different ways to get jump jets now, there's not much reason to avoid SS now. Just don't hedge yourself into it, because you want full invis. It's not worth it, when you can get stealth from IOs so easily.