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My opinion is that you should only take the fear aura (costs a lot of endurance) or the stun aura (costs a bit of health while running) if you have something in your attack set that has some synergy with them. I skipped them both happily on my dark/ice tanker. My impression is that alone, both are rather weak in magnitude. If your secondary adds to what they do, take them.
For Dark/Dark, this means you might want to take the fear aura, since you do have a single target fear in your attack set. If you take that attack, you should also take the aura. That attack is also skippable, though, but I've never skipped it on any of my dark melee characters. It has the biggest to hit debuff of all the attacks, as well as the fear.
You most definitely need Obsidian Shield and your damage aura. -
Quote:I could think of several worse things they could do, but I'm not going to give anybody ideas.Do you think that the complete Nuking and Purging of the 5 and a half years of our Comics and Hero/Villain Culture forum was the most retarded, ham-fisted, knee-jerk, senseless thing that they could ever do to destroy this great community?
What have you created? -
I have a classical symphonic playlist that I use for gaming once I've heard the game soundtrack too often. Mostly Slavs and Eastern Europeans: heavy on Rimsky-Korsakov, Moussorgsky, Stravinsky, Dvorak, Smetana, Bartok, some Tchaikovsky. A fair amount of instrumental Wagner, some individual Beethoven movements. Some Bach organ pieces.
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Quote:Quite often, since this is certain to happen, one way or another; you will either lose everything, or be lost to it, sooner or later.Do you ever think about what life would be like if you lost everything and everyone important to you?
Have you made a will? -
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If I have to pick one, I'd have to go with my Dark Melee/Invulnerability tanker. Not my fastest killing machine -- that honor would go to my Electric/Mind blaster or Spines/WP scrapper -- she doesn't need to be, because she has all the time in the world.
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I like stealthing as a roleplaying option. If I build a stealth capable character, it's a given that such a character has a different relationship with the objectives than a simple one of beating up or arresting goons. Sometimes you're made to arrest all the bad guys in the compound, but if you're objective is to access some code or device, who wouldn't want to be able to slip in unnoticed, grab it, and leave the same way?
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Quote:I'd consider Dark/Energy Melee. I know for a fact that Dark can make some interesting color effects; I have a Dark tanker whose armors are all colored bright pink and orange. Energy Melee is probably the brightest attack set. And there is some synergy between the two if you want to concentrate on stun.Okay, I bet this one's new.
So far as I can tell, just about any tanker build can be viable. So what I want to know is: What build will let me spam the most brightly-colored effects?
Fire and Electric are also worth a try as primaries. For secondaries your options are somewhat more limited, although Dark and Stone are options. -
Of course, you realize this means the Sun is exploding.
Was wondering when that was going to happen. -
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The sets I'd recommend for a pure level 1-50 experience are Willpower, Fire, and maybe Invulnerability and Electric.
The slow teen levels grinding to Stamina aren't as big of a problem on a Willpower tanker, because you get something better than Stamina at level 12. My recommendation is to skip most of the toggles and aim for a normal build with Stamina at 20 anyways. The toggles simply don't add a whole lot to your survivability before you can put SOs in them. And that gets you to 22.
Fire is similar. Every single power in your primary that actually helps keep you alive is available by level 12. I have a Fire/DB tanker that's been specifically built to play well exemped to 25 or 30. Most of her IO set bonuses are available at 25, and all of them are there at 35. -
Quote:I was in high school during the height of the hair band age so my "mindless smashing of everything in my path" playlist is about 3 hours worth of AC/DC, Iron Maiden, Black Sabbath, Guns N Roses, Judas Priest, Motley Crue, Rob Zombie, Zepplin, Queen, Offspring, My Chemical Romance and the like, set on random.
All of the stuff I thought was metal when I was young isn't metal anymore. AC/DC: not metal, according to professional metalheads. Led Zeppelin, Deep Purple? Zep was the canonical example of a metal band when I was growing up. Their records are not metal anymore.
Vikings ruined it for the rest of us. Tuneless thrashing and Cookie Monster vocals probably counts as more of the sort of thing I don't really want to listen to.
I grew up in the mid 1970s, when "alternative" music was just starting to hive off from Top 40 and radio formulas. It was kind of exciting to see at the time. I went from thinking that Aerosmith, Peter Frampton and Kansas were the last holdouts of real rock in a sea of disco and "mellow" singer-songwriters crooning about their relationships, to being a devoted Patti Smith fan, over the course of a single summer.
You have to wonder how people growing up find decent music now. I hear the names of Britney Spears or Lady Gaga or Ke$ha or any of the army of rappers, but I am almost wholly insulated from their actual productions. I can't sing their songs and don't know the words. You learn their names not from the radio but from the tabloid news they make. And you wonder where kids turn when they outgrow the parade of hiphoppers and Disneyfied pop-tarts to learn of music that's dark, apocalyptic, and interesting.
My tastes were pretty much carved in stone in the fourth grade, when I heard "Fire" by Arthur Brown and I just had to get that song on vinyl. ("Atlantis" by Donovan was the second.) I grew up with the Doors and Jefferson Airplane, seeking dark and apocalyptic music while DXing the AM radio on old tube sets.
I've always tried to keep on top of new bands making the sorts of things I like. Between the end of shoegaze and grunge and the rise of weird folk and desert rock, there wasn't a lot to like.
And I can't stand most country, but I revere Johnny Cash. I also enjoy bluegrass and traditional Americana, especially murder ballads and other stuff that's actually just our inner Celt coming out. -
Quote:It isn't really music, but I do think that the Firesign Theatre has made some of the most entertaining recordings ever made. Their records will all require fairly close attention, but they repay them; and unlike most recorded comedy I can listen to them over and over again. They are full of amazing subtleties. And anyone who knows me knows that I quote them tirelessly.When I was soloing, I'd tend to go for stand up comedy CDs like Mitch Hedberg or George Carlin or Paul F Tompkins. I guess it's just a matter of how much focus or attention I had to give the game at the time vs. how much I could listen to the background music/jokes.
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There are some kinds of music I can live without: show tunes, Tin Pan Alley stuff, soft jazz, and pop-country do very little for me, and I don't even think I perceive gangsta rap as being music.
Judging from my CD collection and what's on my iPod, I would say my tastes in music have a number of fairly clear centers of gravity:
- Classical, with a particular focus on baroque and medieval early music. Renaissance vocal material does not figure all that strongly, nor do the nineteenth century symphonic chestnuts. Twentieth century composers like Stravinsky, Bartok, and Orff are better represented than Mahler or Brahms.
- Psychedelia from the 1965-1975 decade. Doors, Hendrix, Jefferson Airplane, and many lesser known performers. Some progressive rock as well.
- British folk rock: Pentangle, Steeleye Span, Fairport Convention, Fotheringay, Strawbs, etc.
- Dark alternative from the punk/new wave/post punk years. Patti Smith, Television, Cult, Echo and the Bunnymen. Post-punk and classic goth: Fields of the Nephilim, Love and Rockets, Siouxsie, Cure, Joy Division. Most industrial leaves me cold, though, but I do like My Life with the Thrill Kill Kult; they have a sense of humor.
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