TrueGentleman

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  1. TrueGentleman

    WIR? (Spoilers)

    Quote:
    Originally Posted by Oedipus_Tex View Post
    Killing off supporting characters to further character development, and, in particular, establish consequences while underlying the fact that "there is no turning back now" is age old.
    The WIR Syndrome applies to a particular subset of female character deaths, as has been discussed in this thread.

    Here are some observations about the trend from notable professional comics writers, collected from the WIR site:

    Marv Wolfman:
    Quote:
    I think it generally means killing female heroes is supposed to elicit more emotions from readers than killing male readers {sic}. Of the list I killed only two, and two were created to die (Terra and Kole) though Kole was, in retrospect, a mistake which I did because other writers complained we weren't killing off any of my characters in Crisis, and if I wanted their characters to die I had to kill one of mine.

    I think the wholesale slaughter is because there's a lot of writers who think all major character motivation is made by killing folk and women characters are easier to kill than male characters since so few of them are major heroes on their own. It is true that although some of the best characters are female characters almost no female starring book has ever survived with the exception of Wonder Woman, and that survives only because of licensing potential; its sales have never been good.
    Jim Shooter:
    Quote:
    I've had violence done to women (and men) in my stories, of course, but not of the pernicious sort (says me) to which I gather {Gail Simone is} objecting. I'd chalk most of what's on {her} list up to lame writing. In desperate search of drama, and unable to obtain it any other way, some writers will resort to obvious emotional triggers/easy pickin's. You can always get a bang by killing Aunt May, or for that matter, Superman. The biggest crime is that many of these stories are unfolded badly, baldly and pathetically, by writers who don't have a clue. People looking for Freudian motives, i.e., hatred of Mother, etc., are wasting their time. Most of these writers sweated cannonballs trying to think of something SO SHOCKING that it would evoke a response from readers, and violence to women was the most horrifying thing they could come up with.
    Barry Windsor-Smith:
    Quote:
    Comics is woefully male-dominated, it is true. But this grievous situation can be remedied over a very long haul that can only begin once females are written and drawn as characters with sensibilities that eclipse, overpower and ultimately transcend the prehistorical traits of masculinity that, at the top and the bottom line, require males to be domineering, savage in their needs, and brutish in everything else.

    But of course, this is just one man's opinion.
    Steve Englehart:
    Quote:
    I like all sorts of characters, including strong women (and weak women, and weak men, and gays, and androids, and big green monsters, and every possible permutation thereof). So I'm as upset as anyone else at how people kill my strong women as soon as I let them go; it has been really blatant. None of those {...} would have suffered those fates if I'd been writing them.
    Mark Waid:
    Quote:
    I'm responsible for the death of Ice. My call, my worst mistake in comics, my biggest regret. I remember hearing myself ask the editor, "Who's the JLAer whose death would evoke the most fierce gut reaction from readers?" What a dope. Mea culpa. But I've learned my lesson. In fact, one of the only reasons I still hang on to FLASH is because I know beyond any shadow of a doubt that the moment I walk, the next guy's gonna drop a safe on Linda Park's head before my last voucher's been paid.
    Wally West's wife Linda Park was apparently erased from the Flash's continuity in the New 52, by the way.
  2. TrueGentleman

    WIR? (Spoilers)

    Quote:
    Originally Posted by Scythus View Post
    Either Men Are the Expendable Gender or only women get Stuffed in the Fridge.
    Yet you're the only one who's trying to argue that. Trying to reframe the phenomenon into an either/or proposition simply doesn't hold water.
  3. TrueGentleman

    WIR? (Spoilers)

    Quote:
    Originally Posted by Scythus View Post
    I'm here to ridicule hypocrisy and promote equal opportunity death
    So it's pure irony that you're constantly linking to TV Tropes to promote your agenda when that site's entry for the phenomenon lists an overwhelming proportion of female examples from comics? That's hardly equal opportunity.

    Are you sure you're here for an argument?
  4. TrueGentleman

    WIR? (Spoilers)

    Quote:
    Originally Posted by Scythus View Post
    Oh boo-hoo-hoo...
    Dry your tears, old chap. You may be rather late to this thread, but you can still attempt to troll it if you put more effort into your posts.
  5. Quote:
    Originally Posted by Frostbiter View Post
    Will Ferrel in Stranger Than Fiction.

    As far as I know that's his only serious role.
    He later starred in "Everything Must Go", an adaptation of a short story by Raymond Carver, an even more serious, realistic role for him.
  6. "
    Quote:
    Originally Posted by CrazyJerseyan View Post
    So based on the general vibe of some of the Pilgrim comments...everyone going with this theme is making their toon a villain?
    Vigilante status will be more than sufficient for dispensing the justice of an angry God without the impediments of modern society's frail laws and permissive attitudes towards immorality. Beware, sinners: "The glittering sword is whet, and held over them, and the pit hath opened her mouth under them."

    Besides, the Rogue Isles offers that much more opportunity for demon-cleansing.
  7. Quote:
    Originally Posted by Thirty-Seven View Post
    Is the incorrect use of "you're" there intentional?
    Killface: “Why does it say Welcome to you are ‘doom’? What does that even mean and why for God’s sake is doom in quotes?
    Valerie: “I don't know”
    Killface: “Is this some sort of ironic doom? Is the wink implied?”
    Valerie: “You know, I don't know.”
    Killface: “No, it isn't! So please tell me how and why I'm suddenly a laughing stock!”
    Valerie: “Umm...Because you signed off on the proofs.”
  8. TrueGentleman

    WIR? (Spoilers)

    Quote:
    Originally Posted by Venture View Post
    Narcissism.
    Good call. Besides the egocentricity and fragile self-esteem, narcissists have a tendency to attach themselves to important groups or institutions, e.g. the Midnight Club, to improve their own standing. That doesn't preclude male chauvinism as another of Praetorian Percy's many issues, of course.
  9. Quote:
    Originally Posted by Acemace View Post
    In before melodrama.
    In before teh DOOOOMMMMMM

  10. TrueGentleman

    WIR? (Spoilers)

    Quote:
    Originally Posted by Slaunyeh View Post
    I really don't think Master Midnight hates women.
    He's not a misogynist as such, but destroying the entire Midnight Squad essentially to impress the object of his unrequited affection does suggest he's got ... issues.
  11. TrueGentleman

    WIR? (Spoilers)

    Quote:
    Originally Posted by Ogi View Post
    So, basically killing women is verboten.
    Reductio ad absurdum this late in the thread, after the WIR trope has been clearly established and numerous examples of it have been supplied, is pretty weak sauce.
  12. Quote:
    Originally Posted by Frost Warden View Post
    Arnold Schwarzenegger tried to break out of his action guy roles, with comedy movies like Kindergarten Cop, Twins, Junior and Jingle All the Way. None were very commercially successful, so he went back to sci-fi/action, with Eraser, the 6th Day, and End of Days.
    The worldwide box office for Twins (1988) was $216,614,388, and Kindergarten Cop's (1990) was $201,957,688. The later Junior and Jingle All the Way made about half that in their worldwide grosses, so technically they could be counted as below expectation. The later sci-fi/action movies had much bigger budgets, so their net profits were less impressive compared to the comedies. The 6th Day (2000) grossed only $96M globally on a $82M budget - a bomb by any standards.

    As for the OP's topic:
    • Teen movie protagonist John Cusack as a grifter in The Grifters (1990)
    • One-time Sweat-hog John Travolta as an underworld hitman in Pulp Fiction (1994)
    • Aging leading man Jeff Bridges as The Dude in The Big Lebowski (1998)
    • Former Ferris Bueller Matthew Broderick as a high school teacher in Election (1999)
    • Previous eye-candy Cameron Diaz as, well, a Charlie Kaufman character in Being John Malkovich (1999)
  13. TrueGentleman

    WIR? (Spoilers)

    Quote:
    Originally Posted by Dark_Respite View Post
    how does Miss Liberty's death affect the women in-game?

    MS LIBERTY - See various entries above.

    SISTER PSYCHE - Her husband has just failed to save the life of their group leader's wife. I hope their marriage is a stable one, because otherwise she'll never trust him to save HER when push comes to shove.

    NUMINA - Reinforcing yet again that she can only bring someone back to life within a short time. (Time to level up, or slot that sucker with a few enhancements for range/duration.)
    These are all good points that the devs should consider when revisiting the subject of Miss Liberty's death in the canon. Merely because she was undeveloped as a secondary NPC and was killed arbitrarily doesn't mean the major ones should shrug it off as just something that happens in the superhero world.

    Of course, it would have been better to have developed her as a secondary NPC in the first place or at least given her a suitable final scene. Even if the fridging of a female character is 'for the benefit' of another female character, it still perpetuates the nasty stereotype of women as sacrificial victims, without independent roles or individual worth.

    Quote:
    Originally Posted by Oedipus_Tex View Post
    Man I hope he is the one who dies--except that if it IS him, it will no doubt be the Worst Death Ever Suffered in History, and we'll have to hear about THAT for the rest of our gaming lives too.
    Without the ego of Jack Emmert powering Statesman, he might wind up getting McLeaned at long last. And if Emperor Cole also dies at the finale of the Incarnates trials, then we might at last see the end of the Cole Multiverse Proliferation Effect.
  14. Quote:
    Originally Posted by ObiWan View Post
    Dual blades with the pistol temp power. AFAIK Solomon Kane used the pistol as an opener before going in wiht the sword and main gauche. Been a while since i read it though.
    That's a workable option. Replacing the flintlocks with a standard revolver cuts into the historical authenticity, but maybe The Puritan can be a Civil War reenactor of the English variety.
  15. Quote:
    Originally Posted by Golden Girl View Post
    What, they left England because people thought that their hats look kinda goofy?
    Yes, that's it exactly.

    You must charm everyone at Thanksgiving celebrations with your assertions of how the Pilgrims were noted for "not being such nice people" and your outthrust tongue.
  16. TrueGentleman

    WIR? (Spoilers)

    Quote:
    Originally Posted by Adeon Hawkwood View Post
    The problem I have with this line of thought is that if it is true then the inverse has to also be accepted as true. If a male character exists only to be killed then is the writer guilty of misandry?
    Sure, maybe. Perhaps you could furnish some examples of female writers in mainstream superhero comics doing this? I'd be willing to wager that the list will be shorter than the one on the WIR website.

    Is it even a debate that there's an overall problem with male writers in contemporary superhero comics creating well defined female characters with plausible motivations?
  17. TrueGentleman

    WIR? (Spoilers)

    Quote:
    Originally Posted by UberGuy View Post
    All characters that are not protagonists within all stories exist to set tone and context. Many, many characters are introduced into stories only so that they can die, setting tone and context.
    That's an intrinsically mechanistic view of how characters work in a narrative. Charles Dickens was famous for determining in his novels' outlines which of his characters he'd kill off tragically but would always ensure that they (a) made a significant impression on his audience and (b) had a death scene that would move his readers as well as his protagonist. Typically with the WIR Syndrome, part a is underdone, and part b is overplayed for shock value.

    Quote:
    Labeling their death "misogynist" solely because they were both an example of this and a female character is an extremist interpretation of what constitutes misogyny.
    Which I have not done. In fact, I've made a special effort to note examples in this thread of when female characters' deaths are handled well and thus avoid the WIR Syndrome.

    Quote:
    Originally Posted by Smersh View Post
    I consider the examples especially egregious when the character being fridged is defined primarily by their relationship to our (usually male) protagonist. If you describe Peter Parker in one sentence, you would probably say something about how he's Spiderman. If I asked you to describe Gwen Stacy in one sentence, that sentence would most likely be about her being Peter Parker's girlfriend.
    That doesn't quite distinguish her from Peter Parker's other girlfriends, however. Whatever may be said about Stan Lee's soap operatic cheesiness, he had a talent for creating recognizable characters. With that in mind, the simplified dynamic is that Gwen Stacy was Peter's "nice" girlfriend, the way Liz Allen was his "bitchy" one, Betty Brant his "independent" one, and Mary Jane his "wild" one. Gwen had figured as such a prominent character in the comic for over seven years, going through numerous ups and downs in her relationship with Peter and the other characters, that her death was a shock, even though Marvel had it in mind for some time. In the scheme of horror flicks, Gwen would have been the Final Girl, with MJ killed off early on. It's to Marvel's credit that they upended a cliche before it had even settled in. (Points are deducted, though, for Marvel's continued problem with its characters maturing, which arguably was also behind the editorial motivation behind Gwen's death.)

    Miss Liberty's presence in CoH, in contrast, has been so limited that most players would be hard pressed to come up with any particular adjective to describe her.

    Quote:
    Originally Posted by Eva Destruction View Post
    These tropes are largely based around traditional notions of how women are supposed to act. They are also largely aimed at a predominantly male audience, which CoH's audience isn't.
    The irony is that although the WIR Syndrome is a cliche won't die off in contemporary comics, thanks in part to fanboy blinders, MMORPGs are notable in the video game industry for appealing widely to both males and females. The devs should consider their audience as much as their genre when coming up with plot twists.
  18. TrueGentleman

    WIR? (Spoilers)

    Quote:
    Originally Posted by Slaunyeh View Post
    I think it's worth noting, however, that the overarching theme for Statesman is "outliving everyone he cares about", into which the death of Miss Liberty plays nicely.
    That's a good point - here's hoping that the devs will follow up on it in the later arcs. Unfortunately, at present Miss Liberty hasn't figured significantly enough in the CoH game for players to care about her, or her death, the way Statesman would.
  19. TrueGentleman

    WIR? (Spoilers)

    Quote:
    Originally Posted by UberGuy View Post
    Depicting bad things happening to women is then a way to depict a heinous foe.
    But including women in a story primarily so that the heinous foe can do bad things to them leads to the WIR Syndrome.

    Quote:
    Originally Posted by Adeon Hawkwood View Post
    Speaking for myself the problem I had with the story arc isn't so much the gender of Miss Liberty but the fact that I had been given little reason to care about her. She wasn't a character to me, she was piece of background lore.
    And that's where the misogynistic bias lies, not simply with the character's death. If a female character's purpose in a plot is merely to be killed suddenly and dramatically without properly establishing either the character's depth and roundness or her death within the story's themes (except maybe to provide other characters with some motivation or pathos), then the writer has a potential problem with misogyny.

    Quote:
    Originally Posted by Slaunyeh View Post
    Ultimately, you want to kill off a character because it makes a good story
    To do this, one needs to create a good character in the first place.
  20. TrueGentleman

    WIR? (Spoilers)

    This reminds me, Samuel Tow's suggestions to the devs about future plotting covered this development (#2 and, arguably, #4).
    Quote:
    Originally Posted by Samuel_Tow View Post
    The more I think about the game's story, the more I have a few things to kindly ask the writers to please stop doing:

    1. Please stop trying to surprise us with plot twists. I know that a story which doesn't go exactly as the audience predicted makes for a good experience, but when you start adding plot twists to the plot twists that negated previous plot twists, you are officially trying too hard.

    2. Please stop trying to shock us. A shock death is a powerful tool. Ten shock deaths in a row is boring. It's the difference between Modern Warfare and Modern Warfare 2. A shock revelation can surprise. Shock revelation after shock revelation just makes us stop caring to keep track. You don't have to try so hard.

    3. Please Stop making your stories such a tangled mess of complexity. Contrary to popular belief, you don't have to have an impenetrably complex story that reinvents the wheel three times over to have a compelling plot. In fact, the simpler the base story is, the more freedom the storyteller has in HOW he tells it. Pick a simple story and just stick to telling it well. You don't have to keep adding plot threads.

    4. Please stop invalidating your old stories. I get that writers leave and new ones join, wanting to tell their own story, but please make sure that those writers are well educated on the game's background, so that they don't contradict what's already been said or massively misrepresent established concepts. You don't have to defile an old story to make a new one.
    Number 5 could be "Avoid tropes with a misogynistic bias."
  21. TrueGentleman

    WIR? (Spoilers)

    Quote:
    Originally Posted by AmazingMOO View Post
    Barbara Gordon's crippling and subsequent sexual harassment at the hands of the Joker in 'The Killing Joke' solely as a measure to torment Jim Gordon stands out as the most prominent example in my mind, but there are many, many others.
    The trope namer - Ron Marz's gratuitous murder of Green Lantern Kyle Rayner's girlfriend, who was killed and dismembered by a super-villain, then hidden in their apartment's refrigerator for the hero to find - would have been a better example than Alan Moore's story. After all, in The Killing Joke, Commissioner Gordon is likewise kidnapped and tormented to the brink of madness by the Joker solely to make a point with Batman - it's part of a pattern of crimes. In the latter case, the violence against a female character (and then a male one) is in service of the book's theme; in the former, it's the quick disposal of the nagging girlfriend six months into the title so the hero can undergo "growth".

    Quote:
    Originally Posted by Smersh View Post
    It's not about the gruesomeness of the death - Gwen Stacy counts as stuffed in a fridge.
    Then Uncle Ben got 'fridged as well. Yes, they're supporting characters whose deaths are a constant source of guilt to the protagonist, but they're linked to the overarching theme of responsibility coming with power. In neither case did Peter Parker take sufficient responsibility for their safety and failed dramatically as a consequence. Only once he'd grown up enough to tell his girlfriend Mary Jane that he was Spider-Man did he have anything like a mature relationship. Of course, Brand New Day erased all that.

    My point, if I have one at all, is that one can reasonably discuss whether or not these examples from comics count as part of the "women in refrigerators" syndrome, but the death of Miss Liberty, as Smersh describes, is classic 'fridging. The devs should take care to avoid it from now on.
  22. Quote:
    Originally Posted by Aneko View Post
    Blasters could have a single pistol primary and a secondary that includes a blade other than fire or ice.
    Would the idea be for the Blaster to use the pistol for a ranged attack and the blade for melee and parry/defense? That could be interesting if the devs want to expand gun and blade options.

    In the meantime, Fire Manipulation's Fire Sword and Fire Sword Circle seems to have the best compromise powers for a blade on a Blaster.
  23. Quote:
    Originally Posted by Golden Girl View Post
    For some reason, even though they're very similar, I find pilgrim hats look rather silly, but witch hats look rather cool - I think it's probably the lack of a pointed top, compared to the pointed top - along with the wearers not being such nice people
    That's just the sort of narrow-minded prejudice that turned our country's Pilgrim forebears into religious refugees in their native England. Here's hoping that you have the courage of your convictions to boycott Thanksgiving.

    As for Kane, he was fighting brigands, slavers, vampires, demons, and assorted supernatural monsters before Statesman was even born. Come to think of it, Paragon City has Puritan roots as part of Rhode Island, so he'd have felt at home here. Dibs on the character name The Puritan on Exalted!
  24. (Thankfully, the devs didn't release the Puritan hat last week, otherwise we'd have been crowded out by V for Vendetta imitations on Saturday night.)
  25. Thinks, Should my Solomon Kane homage be a dual blade or a dual pistols build?