Faces of the City Finale: Curtain Call


Megajoule

 

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Our revels now are ended. These our actors,
As I foretold you, were all spirits and
Are melted into air, into thin air;
And - like the baseless fabric of this vision -
The cloud-capped towers, the gorgeous palaces,
The solemn temples, the great globe itself,
Yea, all which it inherit, shall dissolve,
And like this insubstantial pageant faded,
Leave not a rack behind. We are such stuff
As dreams are made on, and our little life
Is rounded with a sleep.


-- Prospero, The Tempest



The curtain rises, revealing the familiar backdrop - a cityscape rendered in painted wood and canvas - and the cast take their places for one last hurrah.

First to take center stage is the city official with the thinning hair and rolled-up sleeves, his tie now undone and sporting a round "33" campaign button pinned to his dress shirt; he places his hand over his heart (see, he does have one!) and bows to the audience in humble gratitude. He is flanked on the right by a brunette in a gown of deep cherry red, and on the left by a Hispanic woman of vibrant middle age in a floral print dress; they both applaud, then take their bows in turn.

The big man in the trenchcoat and fedora is next, of course, with a broad smile belying his usual grim demeanor. He raises and pumps his big fists in the "victory" pose as the audience cheers. He also is grouped with two women: the perky gamine in the sleeveless cocktail dress (looking much healthier than the last time we saw her), and the blonde in the sparkly disco gown, who's traded her skates for an ordinary set of heels. He embraces one, then the other, and then all three join hands; he lifts one of theirs in each of his, and they bow deeply together.

The tall, thin man in the grey suit pushes the woman in the wheelchair (still in her simple out-patient clothes, but much more alert and focused, with a bouquet of roses in her lap and no tremor in her hands) onto the stage. He steps to one side and bows to her graciously, then to the audience, a faint smile passing his lips. As he guides his companion to the side of the stage, he and the big man playfully shadow-box for a moment, then shake hands in fellowship.

Next up are the burly longshoreman and the man of bronze. Both bow, applaud and receive their accolade, with the metallic giant pointing to members of the audience who've fought to protect the reactor and finishing with a "peace" sign. When they join the others, the detective and the dockworker share a back-slapping bear hug.

DJ Zero and the short man in the cream 80s suit take the stage; without his sunglasses and sneer, the latter seems much less ferret-like but still full of energy, rushing forward to the very edge and miming his love for everyone. He spends a couple of minutes working the crowd's flagging applause back up to a new crescendo, pointing at his fellow cast members and calling for more, then taking his place among them. Throughout the rest of the curtain call, he can sometimes be seen popping up behind the taller ones as if on a pogo stick. Zero, for his part, merely smiles and waves before fading off to the other side of the stage.

The Founder, standing straight and tall now with his long white beard groomed and the brass buttons on his revolutionary coat polished to a shine, and the Warden, his black PPD-like uniform immaculately pressed and creased, bronze shields gleaming, are next. They bow solemnly to the audience and to each other before moving aside.

The last and possibly unlikeliest pair are the grey-bearded partisan in flannel and the doe-eyed dancer of the wood. They clap and wave to the crowd, and she even does a little pirouette beside him before they take their bows.

Rather than walking off, the final duo are joined by the rest of the cast at the front of the stage. Everyone holds hands and bows again, and again. Some are visibly weeping by this point, but they all smile, even through the tears. They bow again, and raise their arms together, and step back as the curtain finally falls.


(( Thank you, everyone. ))


My characters at Virtueverse
Faces of the City

 

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*dries his eyes and joins the rest of the audience in a standing ovation, applauding until his hands sting, and applauding more*

"Bravo, bravo!" he shouts and hopes that there may be some tiny chance that this show may go on.


 

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To this day, Faces of the City is still my favorite City of Heroes work ever written. Thank you, Megajoule.


We'll always have Paragon.